Street Machine

DEPTH CHARGER

- STORY SIMON MAJOR PHOTOS JORDAN LEIST

Richard Hatton goes through a purple patch with his Hemi six-powered Val hardtop

SPARE time. I remember those days. As a young bloke kicking around with cars, time and energy were in plentiful supply, and it was amazing what you and a bunch of mates could achieve when working on each other’s projects. Then life takes over and family, work and house commitment­s suck your time stores dry – seemingly 25 hours a day, eight days a week – and the prospect of any free moments to swing spanners or shoot the breeze becomes a mirage.

Forty-four-year-old Richard Hatton remembers those early days well, spending many a weekend working on chrome-bumper rides with his mates. His automotive interests were a product of his parents’ influence. “My dad Kevin always loved cars but never had the opportunit­y to fully immerse himself in them like I have,” Richard says. “But he bought my mum a Charger when I was 12 and I guess that shape never left me; I bought this one when I was 18.”

Twenty-six years of ownership is a long haul in anyone’s language, but there were a few blips along the way. “I sold the car during a moment of temporary insanity,” Richard admits. “But my wife Sandy was cool enough to let me buy it back – we were on our honeymoon at the time!

“I drove the car for a few years, but then in 1999 the gearstick came out in my hand, which triggered the rebuild. Oh, and the part about the car being off the road in pieces for 19 years.”

What? Yes, that’s a long build, but as the old saying goes, you’re better off looking at it than looking for it, and Richard figured the Charger would be done when it was done. “Realistica­lly it was only worked on for three or four years in that time, as I got sidetracke­d with other hot car projects,” he explains. “But the build process itself really only had the usual small issues – nothing major, which was good.”

Growing up exposed to the likes of Rex Webster’s FJ, Howard Bell’s SLR 8000, Rob Beauchamp’s VL Calais and Howard Astill’s three incarnatio­ns of the Rock XA Falcon, Richard gained an appreciati­on of the facets that define a memorable hot car: looks, power and identity. As well as these attributes, streetabil­ity was never far from Richard’s mind with the build of his VJ.

The Charger was in pretty fair condition when he bought it as a teen; its silver hue and Aunger Hustler mags gave it some street cred, but Richard’s endgame factored in more grunt from the famous Aussie 265-cube sixcylinde­r donk.

The standard cast block was given a thorough hoovering before a balanced factory crank and rods assembly was refitted along with ACL pistons.

An E49-spec hydraulic cam is a proven choice for making a Hemi get up and boogie, and was installed along with Crane valve springs and Yella Terra roller rockers atop a ported cylinder head.

A Cain alloy intake manifold is a nice choice, especially when fitted with a 625cfm Carter four-barrel carb, while Medusa-like Pacemaker extractors whisk the used gasses away via a 2.5-inch stainless system and 3.5inch dump pipe.

The factory Chrysler electronic distributo­r was more than up to the task; however, an AC Delco module now boosts its operation to a full 12 volts compared to the factory Mopar points-like nine-volt operation.

A close-ratio single-rail four-speed, backing a lightened flywheel and heavy-duty clutch, was retained to harness this healthy six, and out back the original Borgwarner diff was upgraded with a four-pinion LSD centre and 3.70 gears.

205rwhp and mid-14-second quarters were more than respectabl­e back in the mid-to-late 90s, but it was around this time that Richard felt the rest of the car would benefit from a

I SOLD THE CAR DURING A MOMENT OF TEMPORARY INSANITY, BUT MY WIFE SANDY WAS COOL ENOUGH TO LET ME BUY IT BACK. WE WERE ON OUR HONEYMOON AT THE TIME!

tidy-up, so he got busy and pulled it down for a birthday.

The body was sent to Sam and Cassie Rhodes at Vulcan Panel & Paint, in the Perth suburb of Canning Vale, to get the metalwork up to scratch. This pair are well-versed in this bodystyle, given Cassie’s own immaculate E55, a former SM cover car.

Richard is old enough to appreciate the importance of personal touches when building a modified car, so the original VJ nose was replaced with his preferred earlier VH front clip, and the vents immediatel­y aft of the side windows were filled for a cleaner look. The tail-light housings also scored a nifty mod by removing a number of the vertical bars to individual­ise the rear treatment, which also ties in nicely with the nipped and tucked rear bumper bar and alloy drop tank.

With all remaining badgework and chrome shaved, Sam laid down the liquid-like HOK Passion Pearl, which effectivel­y bridges the gap between modern hues and traditiona­l 70s factory muscle-car colours.

With the body back up to spec, Richard busied himself with the undercarri­age, rebuilding the factory torsion-bar front suspension and adding reset leaf springs to the rear. The stock disc/drum brake combo has been upgraded with slotted and crossdrill­ed DBA rotors at the pointy end.

Sixteen-inch Center Line Fluted Stars in seven- and eight-inch widths were purchased from the US many years ago and pop nicely against the purple exterior, and are shod in Falken 225/50 and 255/50 rubber.

If the drivetrain and looks department already have you giddy with excitement, then brace yourself as we swing open one of those generous coupe doors. Richard stepped away from the R/T norm with his interior, tackling the lighting, stereo installati­on and pedals in-house, along with relocating the heater controls to the ashtray and modifying the door mechanisms to accommodat­e Plymouth ’Cuda handles. Then it was over to Jason and Steve at World Custom Trimming, who went to town with the tan leather, reupholste­ring the Autotechni­ca front buckets and bolstered Charger rear seat, and adding a custom centre console, headlining, door trims and armrests – the latter to suit the aforementi­oned ’Cuda handles.

The dash fascia is also a one-off, dipped in a very cool hydrograph­ic print, while the modern touches continue with the stereo head unit mounted in the glovebox via a 3D-printed panel.

With the Charger finally back on the road, Richard has wasted no time getting out and enjoying the car, scooping Best Interior and a Top 10 Elite spot at Motorvatio­n 2018, and Best Interior and Top Car Overall at the 2018 Oz Nats.

“I still have a few areas of the car I’d like to tidy up, but there are no major changes planned,” he says. “I just want to get out and drive it!”

And a fair call too after such a long hibernatio­n, especially given the hectic pace of modern life. But has a return to the driver’s seat spawned a return to Richard’s early times of building cars with friends? “Sadly, no; my mates have pretty much all sold their cars these days, and the couple that remain don’t require any work. It’s a shame, but just how things go I suppose. To be honest I don’t have any spare time anyway, so it’s a vicious circle.” s

Ah yes, I know this story well.

 ??  ?? Passion Pearl from the HOK colour range suits Richard’s VJ perfectly (hold those complaint emails, nitpickers, this VJ is fitted with a VH front) and the depth of colour is almost liquidlike. A cracker of a stance is a Charger musthave, and the Center...
Passion Pearl from the HOK colour range suits Richard’s VJ perfectly (hold those complaint emails, nitpickers, this VJ is fitted with a VH front) and the depth of colour is almost liquidlike. A cracker of a stance is a Charger musthave, and the Center...
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