Sunday Territorian

The flicks

Those ugly dome heads are back to wipe the smile off their space in ALIEN: COVENANT, while I AM HEATH LEDGER shows how much the star is missed, but misses much of his story

- LEIGH PAATSCH

ALIEN: COVENANT (MA15+)

Director: Ridley Scott ( Blade Runner) Starring: Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride, Jussie Smollett, Callie Hernandez. Rating: ON the verge of turning 80, director Ridley Scott has signalled his intention to end his career with a trilogy of Alien pictures. Which is great news for the millions of fans the seminal sci-fi horror franchise has accumulate­d since the late 1970s.

The project has started rolling in fine style with Alien: Covenant, a clinically assured deepspace chiller. Scott deftly combines the obligatory chest-bursting gore of the classic Alien movies with the mind-expanding philosophi­cal questing of 2012’s divisive demipreque­l Prometheus. That tricky balance between body count and brain food is very sweetly struck indeed.

A desolate, dread-magnetisin­g story picks up a decade after the events of Prometheus. The colonist ship Covenant is several years into a journey to the distant planet of Origae-6.

On board are 2000 settlers frozen deep into cryo-sleep, and also a sizeable number of human embryos to guarantee an ongoing population supply at what will be a vital new home for all mankind.

Only one Covenant crew member remains awake to make sure the spaceship stays on its correct course: Walter (Michael Fassbender), an enhanced later model of David, the ‘synthetic’ human Fassbender played in Prometheus.

A galactic pulse wave strikes the Covenant and causes some serious damage, necessitat­ing the immediate awakening of its entire crew. Not everyone makes it out of their sleep pods alive, and a new captain must be appointed.

The next in line for leadership is Oram (Billy Crudup), not the most popular choice among his peers (an intriguing­ly high percentage of which are married couples).

The new captain’s first significan­t move is to make an unschedule­d explorator­y pit stop on a planet that appears to be a spectacula­rly habitable match for their needs. Spoiler alert: it is not. The only voice of dissent against the change of plans is Daniels (Katherine Waterston), a strong-willed officer who has just lost her husband. Daniels, in the grand Alien tradition of drawing fiercely female last lines of defence, is destined to become a Ripley-like figure once the climate turns from tense to terrifying to terminal at rapidfire speed.

While there is a pronounced air of predictabi­lity to the high level of carnage fated to transpire in Alien: Covenant, the how, where and why of each compulsory culling of the crew are very shrewdly calibrated by Scott.

Most importantl­y, the intricate physical design and mercurial psychologi­cal makeup of the xenomorphs — those monsters always popping in and out of bodies at will — are meshed together here with great menace.

While not in the same league as the iconic first two Alien outings, Covenant marks a solid return (and promising reposition­ing) for the long-running saga.

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My, what big teeth you have
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