Sunday Territorian

Diamantina

Jump in the van and weave your way through a sparkling outback Queensland Dreamtime trail

- STORY BRIAR JENSEN

Birdsville, Bedourie, Betoota; the names bounce off the tongue like an outback ballad. And “out back” the towns are, forming a triangle in the Diamantina Shire in Queensland’s far southwest corner, abutting the Northern Territory and South Australia.

Covering 95,000km/sq the shire is twice the size of Denmark and has its own vocabulary — Channel Country and gibber plains (stony flats), gidgee, waddi, mulga, mulla mulla and nardoo (trees and plants). This dry, stony desert forms part of the immense drainage basin for Lake Eyre in South Australia. Between periods of drought, heavy rains overflow the Diamantina and Georgina Rivers flowing along braided channels like tentacles forming vast floodplain­s.

Birdsville sits at the southern point of the triangle, close to the South Australian border. You drive through either Bedourie or Betoota to reach Birdsville from the Queensland side, and all three towns form part of a greater outback loop drive from Longreach.

It’s more than alliterati­on that links the three communitie­s of the Diamantina — they also share Sculptures of the Dreamtime — large-scale public artworks giving tangible presence to oral stories of the Mithika, Wangkamadl­a and Wangkangur­ru people, connecting community and country. Sand, Dust and Gibbers, designed in consultati­on with local artists and sisters Joyce Crombie and Jean Barr-Crombie (Two Sisters Talking), weave stories of rivers, dust storms and the Dreamtime Serpent creating the area’s sand hills, channels and gibber plains.

Bedourie

Bedourie means “dust storm” in the local language and the Dust sculpture swirls across four tall timber poles in Herbert St, evoking the rolling dust storms and whirly winds by which the Dreamtime spirits travelled.

In the heart of Channel Country Bedourie evolved from a watering stop for drovers in the 1880s and is now the administra­tive centre of the shire with around 140 residents. It’s a watering stop of a different kind now, with an artesian spa to soak weary bodies and aquatic centre to cool off. En route to Bedourie is the “loo with a view” at Vaughan Johnson Lookout. Here the vastness of Channel Country is visible with treeless plains stretching to the horizon in every direction.

Carcory Ruins, an 1870s homestead abandoned in the devastatin­g droughts of the early 1900s, cuts a deserted silhouette in the desolate landscape, a favourite of photograph­ers.

Birdsville

Birdsville’s Sand sculpture in Burt St, also called The Meeting Place, sees stone seats around a mosaic depicting the Dreamtime Serpent as the Diamantina and Georgina Rivers, with sand hills in between.

Birdsville, with a population of about 115, sits on the eastern perimeter of the Simpson Desert. Big Red, the closest and tallest of over 1100 parallel dunes that cross the desert, puts on a spectacula­r display at sunset as shadows fall on windswept curves and rippled sand glows russet. Parched, baked earth crackles underfoot at the local racecourse, which burgeons into life with an influx of 8000 punters for the annual Birdsville Races.

Like road-trippers drawn to the 1884 watering hole, the Birdsville Hotel, wildlife flocks to the tranquil oasis that is the Birdsville Billabong, from delicate dragonflie­s to ponderous pelicans. Out of town a stand of waddi trees, one of only three left in Australia, is thought to be up to 1000 years old. The hard timber was prized by Aborigines for weapons and digging sticks.

Betoota

The Dreamtime Serpent cuts a dramatic swath across a hillock east of Betoota. Visible from a distance, Gibbers is constructe­d of locally sourced gravel, stones and gibbers and depicts the serpent creating pathways connecting the river systems in Channel Country.

Establishe­d in 1885 as a customs collection point for cattle travelling the stock route to South Australia, Betoota was also a horse changing station for Cobb & Co. In its heyday the town had three hotels, a store, post office and police station. Now it’s a derelict ghost town, population zero.

Ziegmund (Simon) Remienko, publican of the last remaining building, the Betoota Hotel, was the town’s sole resident until he closed the hotel in 1997. Ziggy, as he was known, died in 2004 and his headstone stands sentinel behind the deserted pub. Betoota explodes into life twice a year; for the Horse and Motorbike Gymkhana and the Betoota Races, part of the Simpson Desert Racing Carnival.

 ??  ?? While caravannin­g through the Diamantina can be dusty, at least there’s an aquatic centre to cool off (inset)
While caravannin­g through the Diamantina can be dusty, at least there’s an aquatic centre to cool off (inset)

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