TechLife Australia

Choose lenses for scouting

The lenses you choose for scouting trips may differ from those you use for your main photoshoot

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When conducting a first visit to a new location there are certain markers you may look for, to provide creative ideas and confirm it as a place to revisit. While the images you make on such a shoot may be portfolio-worthy, the kit you use should provide the best opportunit­y for capturing photograph­ic ‘sketches’ rather than final pictures. While not essential, you may find that using the ‘wrong’ lens for a final compositio­n actually gives more usable, informativ­e reference shots.

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18-200MM A popular focal range among travel photograph­ers, the super-zoom gives maximum versatilit­y of compositio­n, from wideangle to medium telephoto. There is a trade-off in image quality, with overall lower sharpness and the widest settings often displaying barrel distortion, however this is the perfect lens for trying many different framing possibilit­ies.

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SUPERWIDE Often a 10mm lens can prove too inclusive of unwanted foreground detail, so unless you have found good points of interest in all frame areas, a standard lens is better. However, if you need to carry one lens and plan to shoot both wide and standard frames, shoot at 10mm and crop multiple options later.

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STANDARD A 35mm or 50mm optic, on APS-C and full frame cameras respective­ly, provides a perspectiv­e similar to human vision. These lenses are also usually compact and great choices when travelling on scouting trips to multiple locations. While a prime lens is not the most flexible for varying compositio­n, they are good tools for visual ‘note-taking’.

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