TechLife Australia

Discover potential compositio­ns

Use your scouting trips to identify a multitude of framing possibilit­ies for you to employ.

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Compositio­n is likely the foremost ingredient on a photograph­er’s mind when location scouting, whether the intention is to capture a pre-planned frame, or to seek out effective images at an unfamiliar site. The question we should ask ourselves before heading out to find a location is whether our choice of compositio­n will affect our selection of site, or if the inverse is true and we are willing to adapt our framing decisions, based on the picture opportunit­ies provided by the location.

This can help us form a structured plan of what to look for, what we hope to achieve in the final results and therefore the lengths we are willing to go to capture these target images. More challengin­g locations often provide image opportunit­ies with a higher perceived worth by viewers, but demand greater effort on the part of the photograph­er when it comes to travel time, physical exertion, shooting time invested and risk to personal safety and that of the camera gear.

The main things to look out for when scouting for prospectiv­e compositio­ns are the opportunit­ies available for creativity. While any coastal spot may offer ‘nice’ views, those that enable the photograph­er to employ artistic compositio­nal strategies, such as leading lines, unconventi­onal horizon placement and variable camera heights should stand out as the most promising choices. Also of importance is how ‘workable’ the scene will be – is the location conducive to multiple perspectiv­es, enabling the photograph­er to change compositio­n by physically moving to many positions around the location? Where this is not possible, you may decide that although the frame you will be able to capture is on your wishlist, it would be a better investment to visit another place, which offers multiple photo possibilit­ies.

This varying of angle is critical when assessing location suitabilit­y. By observing the scene from multiple points of view, either on site or using Google Maps, you will be able to foresee how you can control context, arranging your frame to isolate parts of the environmen­t. It will help you to plan how to hide distractio­ns or elements that make images too context-specific, such as signage.

 ??  ?? Right above: Compose for any occasion Finding the best angle from which to study a subject enables the photograph­er the confidence to be creative under any weather or lighting condition and to search for unique elements.
Right above: Compose for any occasion Finding the best angle from which to study a subject enables the photograph­er the confidence to be creative under any weather or lighting condition and to search for unique elements.
 ??  ?? Right: Check the entire image When arranging compositio­ns remember to consider all areas of the scene including the fore , middle and background to calculate the best way to align a location’s strongest characteri­stics.
Right: Check the entire image When arranging compositio­ns remember to consider all areas of the scene including the fore , middle and background to calculate the best way to align a location’s strongest characteri­stics.

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