The Australian Women's Weekly

5 great LITERARY HOMES

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1. Rebecca, by Daphne Du Maurier, 1938.

WHAT: “The book will be about the influence of a first wife [Rebecca, who drowns in a sailing accident] on a second,” wrote Daphne Du Maurier of the masterpiec­e. “Until wife two is haunted day and night.”

WHY: Manderley is the ancestral home of widower Maxim de Winter, who proposes by growling: “No, I’m asking you to marry me, you little fool!” But the spirit of Rebecca remains, infused in the creepy Gothic masonry.

2. Gone With the Wind, by Margaret Mitchell, 1936.

WHAT: Vivien Leigh sealed the deal to play Scarlett O’Hara in the 1939 film of the book, and received an Oscar, but the novel was already a star. Set during the Civil War, this love story was an immediate US bestseller and remains in the top five favourite books with American readers.

WHY: Cotton plantation Tara is ruined, but after her mother dies, eldest daughter Scarlett takes on back-breaking work to save the house.

3. Brideshead Revisited by Evelyn Waugh, 1945.

WHAT: On the surface it’s a tale about a poor Cambridge undergradu­ate, Charles Ryder, being swept up by the rich Flyte family and flamboyant son, Sebastian. But behind all that, Waugh’s masterpiec­e looks at Catholicis­m, the British class system and an ancestral house where dear nanny represents “home”.

WHY: The hit 1981 UK television series catapulted Brideshead and its on-screen double, Castle Howard in York, to fame as the intoxicati­ng family home.

4. Tales of the City by Armistead Maupin, 1978.

WHAT? From 1976 San Francisco Chronicle newspaper serial to a novel, to a TV mini-series, six tales were set in the mythic apartment house at 28 Barbary Lane, San Francisco. Anna Madrigal is the unforgetta­ble transgende­r landlady.

WHY: Maupin says he fantasised about creating “a fictional address that would become so real to people that they would go looking for it”. It was a haven for Maupin’s characters – those on the fringes, simply for being themselves.

5. Cloudstree­t by Tim Winton, 1991.

WHAT? Two families couldn’t be more different – the cheerful Lambs whose simple faith is shattered when their son, Fish, suffers brain damage; and the lazy Pickles, Mrs P, a man-mad drinker; Mr P, a reckless gambler.

WHY: The Pickles inherit a gloomy house in Cloud Street and take in the Lambs as lodgers. The house has history as a home for indigenous girls, uprooted from their families and mistreated, and their ghosts haunt the pages.

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