The Chronicle

Artists explore themes in art

- AROUND THE GALLERIES SANDY POTTINGER

REGIONAL group exhibition­s by artists who explore a central theme or who depict their responses to landscape and the environmen­t through a shared passion for textile art offer serendipit­ous moments that inspire, entertain, and impress.

The Crows Nest Regional Art Gallery is featuring “Inspiring Young Artists” an exhibition by six Year 9 and 10 students from the Crows Nest State School. The polished presentati­on is a coherent and fascinatin­g body of work that explores the notion of “self”. Painting, drawing, and small scale sculptures take up the theme in personal and thoughtful ways.

Zentangles, the art of advanced and focussed ‘doodling,’ the registered brainchild of American calligraph­er Maria Thomas and Zen spirituali­st Rick Roberts have been used to great and decorative effect by several of the artists.

These detailed and structured designs carry a sense of meditation through which to contemplat­e a developing and emerging identity. Montana Brackenbur­y’s orange cat comprises a sophistica­ted arrangemen­t of coloured patterns, Abby Corcoran uses sculptural forms and Zentangled sun glasses to remark on vulnerabil­ity, while Hayley Falcon-Green’s linear drawing is a symbolic tree of life: tall, strong, and sheltering.

Tessa Gossow’s zebra is a bold and confident statement about seizing the moment. Elvira McKay’s cut-out canvas of a pink grape leaf is a story of positive growth. Cherie Nothdurft’s Zentangle turtle carrying security in her shell is a metaphor for safety. Works by teacher Rachel Watts whose mentorship and guidance are tangible, are also included in the show.

The Rosalie Gallery in Goombungee is hosting “Wandering Minds,” an exhibition by Darling Downs textile artists Jenny Burgess, Jean Constantin­e, and Jan Scudamore.

These artists are inveterate travellers who are also very aware of nature’s delicate balance in an often threatened environmen­t. Each artist has used eco and tea dyeing to create earthy colours that reflect the countrysid­e traversed. This organic colouratio­n is particular­ly successful in Burgess’s “Parson’s Farm“, in Constantin­e’s strip hanging “Bounty,” and in Scudamore’s impressive wall piece, “Forest floor”.

Humour and a sense of narrative shape the delightful “Happy Dog” series by Burgess in which canines caper with their mates or lounge amidst handmade gum leaves and pebble embellishm­ents. Artist story books by Burgess contrast with the bold ‘scrolls’ by Scudamore and the kimono-like format of Constantin­e’s “Book of Uluru.” The sympatheti­c gallery space contribute­s to the exhibition’s understate­d tonal harmony.

Recently two fifteen year old artists made solo debuts in which their artwork acted as a conduit between self, society, and experience. “Fractured”, the exhibition by Caprice Geddes at CUA’s community hub in Walton Stores was a moving comment on society’s perception of perfection. Adele Kahler’s exhibition “Bare” at SMART-Student Art Toowoomba, Karingal Chambers, 35 Bell Street, combined linear contour and poetry to comment on mental health and the burden of hurt and loss.

 ?? PHOTOS: CONTRIBUTE­D ?? Cherie Nothdurft at Crows Nest Regional Art Gallery.
PHOTOS: CONTRIBUTE­D Cherie Nothdurft at Crows Nest Regional Art Gallery.
 ??  ?? Parsons Farm by Jenny Burgess at Rosalie Gallery.
Parsons Farm by Jenny Burgess at Rosalie Gallery.
 ??  ?? Detail Iconic flags by Jean Constantin­e at Rosalie Gallery.
Detail Iconic flags by Jean Constantin­e at Rosalie Gallery.
 ??  ?? Hayley Falcon-Green at Crows Nest Regional Art Gallery.
Hayley Falcon-Green at Crows Nest Regional Art Gallery.
 ??  ?? Forest floor by Jan Scudamore at Rosalie Gallery.
Forest floor by Jan Scudamore at Rosalie Gallery.
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