The Chronicle

Show displays vulnerabil­ity

- SANDY POTTINGER

LOCAL and regional displays include a huge retrospect­ive exhibition accompanie­d by new work and a commission­ed installati­on, the first exhibition for a reinvented art space, project initiative­s, and artworks liberated from incarcerat­ion.

The new big exhibition at Queensland Art Gallery and Gallery Of Modern Art (QAGOMA) in Brisbane is a solo show by renowned Australian artist Patricia Piccinini. Curious Affection is the largest exhibition of Piccinini’s work to be held in this country.

It combines retrospect­ive pieces and new creations as well as a specially commission­ed inflatable work suspended above the atrium.

Piccinini comes to Brisbane fresh from a block buster show in Rio de Janeiro where more than 1.4 million people saw her exhibition making it the most visited contempora­ry art show in the world.

Hybridity, metamorpho­sis, and genetic engineerin­g shape zoomorphic motor scooters, and strange, sometimes confrontin­g creatures that look like escapees from a Frankenste­in laboratory.

Piccinini works with a cohort of talented artisans to create her ‘wunderkamm­er’ of transgenic mutations.

The mothers and offspring, children and strange beasties can be visually challengin­g, yet they are fascinatin­g and impressive.

After an initial gasp of disbelief, the feelings that sneak up on the viewer are those of warmth, vulnerabil­ity, a trusting innocence, and love.

The blend of art, mythology, science, and technology offers an experience to remember. The exhibition continues until August 5.

First Coat Studios, formerly No Comply Gallery and Kontraband Studio, 6 Laurel St, is presenting its inaugural exhibition “Again and Again,” a show comprising the works of fourteen artists.

Each explores the notion of “again” as a means of re-thinking material values through recycling old work, reinventin­g imagery, and altering the original function of objects through the choice of media, and the interpreta­tion of terms like “discard” and “renew.”

Those particular­ly fulfilling the brief include pieces by David Usher, Ian McCallum, Peta Berghofer, Kirsty Lee, Bronte Naylor, and Jennifer Anne.

The Project Space at First Coat Studios is showing Globs of Past Tense an on-going postal art collaborat­ion between Kristian Glynn and Natasha Wills.

The works form a visual dialogue between the locations of Toowoomba, Melbourne, and North America.

The feisty, funny, clever, and articulate illustrati­ons steeped in takes on popular and streetwise culture are a delight to explore.

The Lockyer Valley Art Gallery in Gatton is hosting the annual Southern Queensland Correction­al Centre exhibition.

This year’s title is Hope, a state of mind here tinged with sadness and regret as well as positive expectatio­ns.

The works are predominan­tly Indigenous in style and technique, and while predictabl­e, they are also impeccable in their attention to detail.

The paintings shares stories, histories, and family associatio­ns through colour and imagery that reaches out for understand­ing and acceptance.

The exhibition includes leather work, ceramic vessels, wood work, and decorative objects many of which are produced in the Murri Art Room.

 ?? Photo: Courtesy the artist ?? Patricia Piccinini. Australia VIC b.1965. Doubting Thomas 2008. Silicone, fibreglass, human hair, clothing, chair. 100 × 53 × 90cm. Edition of 3 + 1 A/P. McClelland Sculpture Park + Gallery Collection, Langwarrin. Purchased in 2010, The Elisabeth...
Photo: Courtesy the artist Patricia Piccinini. Australia VIC b.1965. Doubting Thomas 2008. Silicone, fibreglass, human hair, clothing, chair. 100 × 53 × 90cm. Edition of 3 + 1 A/P. McClelland Sculpture Park + Gallery Collection, Langwarrin. Purchased in 2010, The Elisabeth...
 ?? Photo: Peter Hennessey ?? Patricia Piccinini. Australia VIC b.1965. Kindred 2017. Silicone, fibreglass, hair Ed. 1 of 3. 103 x 95 x 128cm. Courtesy the artist, Tolarno Galleries, Melbourne; Roslyn Oxley9 Gallery, Sydney; and Hosfelt Gallery, San Francisco.
Photo: Peter Hennessey Patricia Piccinini. Australia VIC b.1965. Kindred 2017. Silicone, fibreglass, hair Ed. 1 of 3. 103 x 95 x 128cm. Courtesy the artist, Tolarno Galleries, Melbourne; Roslyn Oxley9 Gallery, Sydney; and Hosfelt Gallery, San Francisco.
 ?? Photos: Contribute­d ?? From Globs of Past Tense at the Project Space First Coat Studios.
Photos: Contribute­d From Globs of Past Tense at the Project Space First Coat Studios.
 ??  ?? Green cloud and the doomsday clock by David Usher at First Coat Studios.
Green cloud and the doomsday clock by David Usher at First Coat Studios.
 ??  ?? From the exhibition Hope at The Lockyer Valley Art Gallery
From the exhibition Hope at The Lockyer Valley Art Gallery
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