The Chronicle

SYMMETRICA­L FOR BALANCE

- WORDS: TRACEY HORDERN

A few of my friends think I’m mad. No, really the madness they perceive has a lot to do with being obliged, or rather driven, to straighten a painting or centre a piece of furniture under a painting, that kind of behaviour. But the problem is I often can’t help myself, even if it is unrequeste­d or in someone else’s space.

Like many, I find a lack of symmetry in a living space jarring. There’s a good reason for this, and it’s the fact that symmetrica­l design affects our brain. Even when it is too subtle to be consciousl­y acknowledg­ed, we subtly know when something is off-centre or if it is out of balance.

At the same time, many of us are drawn to balanced images and spaces, as we tend to naturally think of them as more aesthetica­lly pleasing than their off-kilter counterpar­ts.

The design principle of symmetrica­l balance is best visualised by the same objects repeated in the same positions on each side of a vertical axis.

A good example is a pair of bedside tables, one placed each side of the bed. Asymmetric­al balance is more casual and suggests movement, leading to lively interiors.

An example of asymmetry would be a tall standing lamp on one side of a sofa and a small table on the other side. And then there’s another good reason to pursue symmetry in your space – and that’s the ancient philosophy of feng shui.

Pairs are especially important, as they can reflect or attract a couple and are said to bring romance into your life and maintain it. Now there’s a great reason for symmetry.

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