DOWNHILL (M)
THE ONLY WAY IS ANYTHING BUT UP
At turns pointedly unpleasant and unfeasibly inert,
Downhill plummets into the void where comedy ends and drama begins. The setting is a luxurious Austrian ski resort playing host to married couple Billie (Julia Louis-Dreyfus) and Pete (Will Ferrell), along with their two young sons. Early in the family’s stay, a controlled explosion triggers an avalanche that threatens to engulf their chalet. Pete grabs his phone and makes a run for it. His loved ones, unable to flee, brace themselves for full impact. Needless to say, the rest of the group’s holiday will not be a time they will look back upon fondly. Unfortunately, in trying to make light work of Pete’s heavy-duty show of cowardice, the movie makes a storytelling stumble from which it never recovers. And when it pushes for deeper insights into what his actions mean for the future of his marriage and children, the findings are disarmingly shallow. Then there is the casting of the two leads, a calculated risk by the filmmakers which fails to pay off. Louis-Dreyfus and Ferrell fail to find the precise kind of understanding which might have saved Downhill from totally bottoming out. Just a side note for anyone who feels they may recall another movie with a similar avalanche cut-andrun to the one depicted here: Downhill is a remake of the Swedish hit Force Majeure, one of the great movies of the past decade most people missed. Go find that, and get right away from this.