The Chronicle

Local habitat proves inspiring

- SANDY POTTINGER

IT IS comforting for a cohort of artists to have the support and shared experience offered by a group exhibition, but seizing the opportunit­y for a solo show, while rewarding, can be a little scary.

It is also a brave act to put one’s skills and vulnerabil­ities on the line and invite public validation.

Three local and regional artists have embraced the privilege to present solo exhibition­s that profile their creative practices.

The Culliford Gallery at the Toowoomba Art Society, 1 Godsall Street, is hosting A Sense of Place, an exhibition by Rosalie Eustace.

Subject matter is drawn from the local habitat on her property at Palmtree, north of Toowoomba.

Foliage and ferns reflect the rainforest, walnut studies show the produce farmed, and doves and pigeons attest to the prolific bird life.

The artist has also produced a book which contains reproducti­ons of the paintings in the exhibition as well as including informatio­n about the wildlife and the endangered ecosystems.

Palmtree is steeped in local history and there are also stories of the bullock teams and the Munro Tramway that passed through Eustace’s property carrying timber from the sawmills.

The mixed media paintings certainly convey a sense of place and the artist’s response to her immediate environmen­t.

The long, narrow, vertical format presented in starkly bold black frames suggest the glowing, preliminar­y studies for stained glass installati­ons.

Eustace has captured the symmetry and patterns of nature translated in bright colours and softly muted tones.

Works such as The Old Pear Tee, Bougainvil­lea, Tomato 1, and Paper Daisy, with their cropped focus and detail, could be wallpaper samples in the manner of William Morris.

A selected range of works is available as limited-edition prints.

The Perinet Gallery at the

Art Society is showing A Touch of Paint, the first solo exhibition by Sheryl Fainges.

The paintings explore texture and technique in confident colour arrangemen­ts that include the still life Tulips in a vase, flower studies, reef and under water scenes, and a richly surfaced cityscape.

A Note of interest: Watercolou­r Beginnings, a course offered by local artist Bruce Griffiths commences Friday, July 15 at the Toowoomba Art

Society. Phone 0403 346 229 for details.

The Crows Nest Gallery is featuring the work of photograph­er Judi Neumann.

The exhibition Impression­s, combines views from nature with interpreti­ve responses translated through applied technology.

Light shapes an abstract statement about location with digital manipulati­on and movement captured in flurries of colour, line, and tonal harmonies.

In-camera raw image files retain recorded data which is then transforme­d into a personal vision.

Neumann also uses multiple exposures to fold scenes into parallel universes that float in a fathomless netherworl­d.

Digital prints on metallic paper become psychic patterns that boil and bubble in a techno cauldron of colour and implied texture.

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 ?? ?? RIGHT: Works by Sheryl Fainges in the Perinet Gallery at Toowoomba Art Society. City above the trees (right) and Wisteria and wattle (far right). Pictures: Contribute­d
LEFT: Works by Rosalie Eustace at the Toowoomba Art Society, (from left) Chanticlee­r pear, Eastern spinebill, Bougainvil­lea, Tomato 1.
RIGHT: Works by Sheryl Fainges in the Perinet Gallery at Toowoomba Art Society. City above the trees (right) and Wisteria and wattle (far right). Pictures: Contribute­d LEFT: Works by Rosalie Eustace at the Toowoomba Art Society, (from left) Chanticlee­r pear, Eastern spinebill, Bougainvil­lea, Tomato 1.
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 ?? ?? Between the bridges by Judi Neumann at Crows Nest Gallery.
Between the bridges by Judi Neumann at Crows Nest Gallery.
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