The Guardian Australia

The Guardian view on Harvey Weinstein: a watershed

- Editorial

The Harvey Weinstein affair cannot be brushed aside as the culture of the casting couch. It is not one more story from the Hollywood fiction factory. It must not be allowed to be another tawdry milestone. It must be the watershed.

Harvey Weinstein has been one of the most prodigious­ly successful producers of his generation. He has made some exceptiona­l pictures, from Pulp Fiction and The English Patient to The King’s Speech. He has won five best picture Oscars. But on Sunday he was summarily dismissed by the board of the company he had founded with his brother Bob. His sacking followed the New York Times’s reporting of the shocking claims of his predatory behaviour towards young women, of abusive conduct that revealed him less titan than tyrant, a man with a long and dark history of sexual harassment.

The New York Times discovered evidence of payoffs and non-disclosure awards to injured women dating back decades. Its reporters found other women with humiliatin­g tales of intimidati­on and harassment that are still snowballin­g. Now the New Yorker has added another chapter, including allegation­s of rape, to the humiliatio­ns and honeytraps, complicity and intimidati­on. It is an anatomy of how such abuse succeeds, and why it endures for so long. Flattering and demeaning, the producer played on the fear and shame that ensured his victims’ silence. The women describe in agonising detail his refusal to accept their protests, the overwhelmi­ng burden of personal responsibi­lity that followed, coloured sometimes by a parallel awe of his filmic talents. They feared his power to break them as well as make them. The New Yorker describes charges that were unaccounta­bly dropped and stories suppressed. Employees, enlisted to help him entrap his victims, report an atmosphere that was morally compromise­d. His exposure is seemingly the culminatio­n of a lifetime of cruel personal gratificat­ion at the expense of vulnerable women that was known about and ignored by scores of industry people. Mr Weinstein has expressed regret for his behaviour but also says he denies some of the allegation­s.

The hasty sacking of Mr Weinstein was more than a calculated exercise in damage limitation by the directors of a company terrified by the impact of such bad publicity on the bottom line. This time, something is different. It is not by chance that this story emerged now. A cultural shift is under way.The extent of such abuse has become a theme of US corporate and political life over the past 15 months. It is a kind of descant to the bassline of the conduct of the US president, a candidate who won the election despite a stack of sexual harassment allegation­s against him. Yet at the same time, Donald Trump’s cheerleade­rs at Fox News reluctantl­y fired first his key ally Roger Ailes, and then the presenter Bill O’Reilly, after it emerged there had been payouts of millions of dollars to women they had harassed. This June, the Uber CEO, Travis Kalanick, resigned under pressure from investors, alarmed at the mounting reports of the extent of sexual harassment embedded in the company culture. Women everywhere in Silicon Valley, including very senior executives, have begun to talk more openly about the way they are treated by male colleagues and business acquaintan­ces.

And now there is Harvey Weinstein, a man who now seen to be as grotesquel­y brutal to women as he is brilliant at producing films. He was at the heart of a company of which he was the heroic despot, a god with a degree of licence that served to reinforce the sense of entitlemen­t that is the hallmark of the sexual predator. His is a very public disgrace. Yet the clarity of these accounts of abuse, and the contours of the emotional as well as the physical wreckage left in their wake are familiar to every victim. It is a horror story that should be made a compulsory study for every school leaver. This is what sexual exploitati­on looks like. It is never acceptable.

 ??  ?? The producers of the Miramax film Shakespear­e in Love hold their Oscars with Gwyneth Paltrow, one of the latest women to come forward with accusation­s against Harvey Weinstein (third from left). Photograph: Mike Blake/Reuters
The producers of the Miramax film Shakespear­e in Love hold their Oscars with Gwyneth Paltrow, one of the latest women to come forward with accusation­s against Harvey Weinstein (third from left). Photograph: Mike Blake/Reuters

Newspapers in English

Newspapers from Australia