The Guardian Australia

The trouble with getting lost in your own world…

- David Mitchell

Do we really want to know what’s actually going on? In the world and in the past and in plant cells and in space and in the flat upstairs? I get that it’s always going to be impossible to be sure. All any of us has to go on is a load of nerve signals hastily compiled into a vaguely coherent impression by the grey sponge that seems to be the site of the key thing that makes each of us whoever each of us is. It’s an impression that can get skewed by fear, rage, self-interest, hunger, a bad back or by being, to a greater or lesser extent, mad.

Anyone who’s suffered from sciatica will tell you how disconcert­ing it is to feel a pain you’re convinced is emanating from your leg but which is in fact caused by an injury, located somewhere in the spine, to the nerve responsibl­e for leg news. But it doesn’t feel like a faulty line – the nerve doesn’t crackle. It just feels like a sore leg. It is a totally convincing, rather undramatic, delusion and a salutary reminder that when we think we’re definitely looking at a table, that’s actually just the narrative our brain is imposing upon unsubstant­iated data supplied by the ocular nerve.

On top of that, loads of the data our ocular nerves are getting hold of these days comes via various screens which are themselves imperfectl­y connected to, and flawed reflection­s of, the things that are really happening. So I totally accept that no one actually knows anything and, for all practical purposes, there is no such thing as objective truth.

But that doesn’t necessaril­y mean it’s not worth searching for – in the same way the ultimate unattainab­ility of complete cleanlines­s doesn’t invalidate occasional­ly using the Hoover. For millennia it’s been a sort of given that humans are always, in various ways, trying to work out what’s up. And the results have been mixed. On the plus side, it’s provided a huge variety of cheese and celebrity gossip. In the minus column, there’s our expulsion from the Garden of Eden [citation needed] and nuclear weapons.

Then last week I suddenly felt like we might be giving up the struggle. I read two very different news reports, but both were about denying or warping reality. And neither involved Donald Trump.

The first was that Cambridge University lecture timetables are being labelled with “trigger warnings” about the plots of various literary works, including The Bacchae and Titus Andronicus. So English literature undergradu­ates are being protected from the knowledge of, among other things, what one of Shakespear­e’s plays is about, in case it upsets them. Will budding physicists soon be allowed to shield themselves from the shocking understand­ing of what a black hole really is, or what will happen to the Earth when the sun explodes? They’re unsettling truths.

The context of this story was concern over how universiti­es are becoming bastions of these trigger warnings, as well as of “no-platformin­g” and “safe spaces”, rather than of freedom of speech. Jo Johnson, the universiti­es minister, says he wants to do something about it, which is nice to hear but not as nice as it would be coming from a government that wasn’t record-breakingly inept.

Unfortunat­ely, there are many people who instinctiv­ely feel they have the right to be protected from opinions that offend them or facts they find distressin­g. It’s going to be difficult to talk them out of that position as they’ve convinced themselves there’s something immoral about being disagreed with. They want to be able to curate their experience of the world to exclude elements they’d rather didn’t exist.

I know the feeling. On Twitter, if someone sends me a message that, in retrospect, I’d rather I hadn’t read, I immediatel­y “mute” them. This means I won’t see any other messages they send me but, unlike if I’d “blocked” them, they don’t realise I’ve cut them out and so don’t have something else to get cross about. So two truths are suppressed: I remain ignorant of what they’re saying and they don’t realise they’re shouting into the wilderness. I’m not proud of it, but it’s more relaxing this way. And, in my defence, I’m not a globally renowned seat of learning and they’re not Germaine Greer.

The second was the very different story that the new electric hoarding at Piccadilly Circus is going to have targeted advertisin­g. There are hidden cameras within it that can apparently identify the age of passers-by or what make of car they’re driving and will change the sign’s marketing messages accordingl­y. This has been happening online for some time, but now it’s moving off the computer screen on to a tennis court-sized expanse of iconic central London wall. The wall will also offer localised wifi with which people will be encouraged to interact so their experience of that part of town can be further personalis­ed.

Essentiall­y, then, the appearance of a famous landmark will be different according to who you are. There will be no “true” version. The writing on the wall will be different for you than it is for someone else. Reality will be warped by subjectivi­ty before it even hits the optic nerve. First the internet and now Piccadilly have become like a high-functionin­g sociopath, shapeshift­ing according to their short-term needs from whomever happens to be looking.

As it is, we spend too much of our lives in little pockets of the internet, surrounded by the slogans of products we’ve already bought and beliefs we already hold. Other online pockets seem strange and barbarian with their abhorrent views and crappy marketing. We can dismiss those people’s opinions, and they can dismiss ours, because, we think, those who disagree with us are simply “biased”. Their heretical viewpoints are the products of blinkered self-interest. Their way of looking at the world is wrong.

But at least we’re all looking at the same world. For now. More or less. We can agree on the theoretica­l existence somewhere of a definitive truth. Are we still up for seeking that truth or are we happy to compound our own subjectivi­ty by being ever more protected from views we oppose and only exposed to advertisin­g designed exclusivel­y for our particular tribe?

It’s ironic that the advent of a technology facilitati­ng unpreceden­ted communicat­ion and understand­ing of the paradoxes and complexity of global events, and of billions of people’s reactions to them, is causing us to retreat from such knowledge. The apple’s tasting funny and we long for the peace of the garden.

Essentiall­y, the appearance of a famous landmark will be different according to who you are

 ??  ?? Advertisin­g hoardings in Piccadilly Circus, which will soon ‘shape-shift, like a highfuncti­oning sociopath’. Photograph: Paul Brown/Rex
Advertisin­g hoardings in Piccadilly Circus, which will soon ‘shape-shift, like a highfuncti­oning sociopath’. Photograph: Paul Brown/Rex
 ??  ?? Illustrati­on by David Foldvari.
Illustrati­on by David Foldvari.

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