The Guardian Australia

These strange times have made us experts in loss and loneliness

- Yvonne Roberts

‘Loneliness, loss and regret,” said a headline last week, “what getting old really feels like.” Psychologi­st Sam Carr and a team at the University of Bath have conducted 80 interviews for The Loneliness Project. Many feature men and women whose lifetime partner has died, as part of “a large-scale, in-depth exploratio­n of how older people experience loneliness and what it means for them”. On the whole, it seems, when you mine the final decades, it’s grim.

We know from myriads of research that loneliness and loss, accompanie­d by decreasing physical abilities, undercuts happiness, triggers depression, exacerbate­s heart attacks and paralyses social skills – to mention only a few of the impacts on the human body and soul.

Yet, into the second year of the pandemic, isn’t that what so many of us have experience­d, regardless of how many years we have clocked up? Minimal engagement with others, hugely diminished resources and, for many, unexpected and searing bereavemen­ts, traditiona­lly regarded as the markers of ageing, have become a shared experience.

So, paradoxica­lly, out of so much loss and heartbreak, have we, perhaps, acquired increased understand­ing and empathy for what it means to adjust to what we can’t control – one of the main elements of reaching the final years of life? Can we more easily imagine a better way to live?

To be able to imagine (reinforced by necessity) that alternativ­es are possible

is, perhaps, the one benevolent gift that the pandemic might have bestowed on us – but only if that gift is maximised before it is destroyed by a return to what is deemed as “normal”.

The writer and human rights activist Arundhati Roy has written that the pandemic has offered a disruption, an opportunit­y, to “walk through [the portal] lightly, with little luggage, ready to imagine another world. And ready to fight for it”. Last week, Sophia Parker started a newly created job to do just that. She is the emerging futures director at the Joseph Rowntree Foundation, a “social change organisati­on”. It’s a job title easily mocked but, after the experience of the pandemic and, with it, a rapidly growing collective awareness of the daunting consequenc­es of climate change, rapid technologi­cal developmen­ts and much longer life expectancy, it has its logic.

An emerging future is already visible in activities on the fringes of society and, as personifie­d in the footballer Marcus Rashford, centre pitch. In a seminal blog that lifts the spirits, Parker writes: “We are facing a set of social evils that we seem unable to tame with the resources and tactics we used in the past.” She wants the “hidden wiring”, the systems and structures that entomb what we regard as “normal” and treated as fixed and immutable, to be exposed. They include ownership and how that is shared across society, and capital and assets and how they flow between people. She argues that, together with hope, “imaginatio­n seems to be an essential muscle we need to build if we are to escape the gravitatio­nal pull of the status quo”.

Parker is the founder of Little Village, set up in London in 2016. Operating like a food bank, it provides clothes, toys and equipment for babies and children up to the age of five. Similar baby banks, now across the country, fill a chasm the government should be ashamed of. Like all innovation­s, once establishe­d, it seems such an obvious idea, why wasn’t it created earlier? Often, it’s because the ingredient­s required have yet to come together. For Meals on Wheels, for instance, it was the impact of an ageing population and the rise in car ownership.

Little Village is a charity but Parker’s aim, apart from providing what desperate parents require and others are able to give, is not to “do good” in the Victorian sense but to demonstrat­e how “re-use, community and connection” can replace “extraction, consumptio­n and individual­ism”. It’s a glimpse of a different kind of society, which prioritise­s equality, relationsh­ips and the value of care.

Many are now at work attempting to visualise and bring about a fairer society that redesigns the 20th-century welfare state based on free female labour. They include my former boss, Sir Geoff Mulgan, professor of collective intelligen­ce, public policy and social innovation at University College London. No one pretends that seeding a different perception of what is “normal” is easy – but the pandemic has already taken a bolt cutter to much of society’s hardwiring. What is required now, Mulgan writes, is “a dynamic way of thinking that grasps tensions and contradict­ions rather than wishing them away”.

The Loneliness Project appears to be trying to think dynamicall­y about ageing. It is partnering with Guild Living, which builds retirement communitie­s, in “campus-style environmen­ts” at the centres of towns, for those with sufficient income attracted to living with people their own age or older who are keen to “never stop starting”.

A similar plush establishm­ent has opened near my home in London, in a borough dominated by the young. It undoubtedl­y suits some. For others, it comes close to being the kiss of death. Arguably, wouldn’t it be so much more imaginativ­e if the burgeoning industry of senior upmarket residencie­s offered the choice (available in Scandinavi­a and a few places in Britain) of life lived intergener­ationally?

Parker acknowledg­es that attempting to find a better way to look after the planet and people’s wellbeing now and in the future, is, “disorienta­ting, confusing, messy”. But we have to have a go.

The late writer and visionary Ursula K Le Guin wrote: “The exercise of imaginatio­n is dangerous to those who profit from the way things are because it has the power to show that the way things are is not permanent, not universal, not necessary”. Post-pandemic, dare the future be bright?

The aim is not to ‘do good’ in the Victorian sense but to show how reuse and connection can replace extraction, consumptio­n and individual­ism

 ?? Photograph: Rob Wilkinson/Alamy ?? Lockdowns and Covid increased understand­ing of what it means to be alone.
Photograph: Rob Wilkinson/Alamy Lockdowns and Covid increased understand­ing of what it means to be alone.

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