The Guardian Australia

The First Wave review – Covid’s devastatin­g early days in New York

- Cath Clarke

Shot inside a New York hospital at the start of the pandemic, this documentar­y is an overwhelmi­ng emotional watch. In March last year, City of Ghosts director Matthew Heineman started filming on the wards of the Long Island Jewish Medical Center; he stayed for four months, through the worst of it.

It looks like a war zone: death everywhere, pagers buzzing, constant tannoy announceme­nts of “code blue” critical emergencie­s, medics sprinting to the next crisis. Anyone watching who had to say goodbye over FaceTime (a nurse holding up a phone in a clear plastic bag for their dying loved one) will find this traumatisi­ng. What is comforting is how the hospital’s overworked exhausted staff pay attention to the human life in front of them – holding hands with the dying, tenderly stroking their faces.

It’s an intimate documentar­y: hard to watch but not gruelling. Heineman’s camera is a gentle presence, in the room with people at the worst moment of their lives – and they open up to it. The medic we spend most time with is Dr Nathalie Dougé, a woman of superhuman courage, resilience and empathy. Because Covid-19 is a new disease, there are no familiar patterns. Patients who seem to be improving deteriorat­e suddenly and die: “You are always on edge. You can never breathe a sigh of relief.”

Dr Dougé is first generation Haitian-American and the majority of her patients are Black, Hispanic or immigrants. Every time someone is admitted she thinks: “This could be my mom.” And the film is alert to the disproport­ionate effect of Covid-19 on ethnic minorities.

It follows two patients: both frontline workers of colour under 40. Brussels Jabon is a nurse originally from the Philippine­s, heavily pregnant when she caught the virus. She was given an emergency caesarean before being put on a ventilator. Thirty-six-year-old African American Ahmed Ellis works for the NYPD and has two small children. The hospital staff are desperate for him to survive: “Every time I look at him, I see his kids,” says a nurse.

This remarkable film feels like it could become a time capsule, showing future generation­s what it felt like in 2020 for those on the frontline.

• The First Wave is released on 26 November in cinemas.

 ?? Photograph: National Geographic/The First Wave ?? It looks like a war zone … The First Wave.
Photograph: National Geographic/The First Wave It looks like a war zone … The First Wave.

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