The Guardian Australia

Far Beyond the Pasturelan­ds review – on the trail of the ‘Himalayan Viagra’

- Phuong Le

Every year, thousands of Nepalese villagers make their way to the Himalayan foothills in search of a fungus called yarsagumba. Known for its aphrodisia­c properties, the elusive substance sells in China for a price higher than gold. Following Lalita, a young mother among the countless trekkers, this intimate documentar­y from Maude PlanteHusa­ruk and Maxime Lacoste-Lebuis paints a stirring portrait of a community exploited by modern commerce.

Living in the largely agrarian village of Maikot, a wistful Lalita thinks back on her adolescent dreams of going to university, but an early marriage and now motherhood put a stop to her education. Through observatio­nal camerawork, the film subtly highlights the gender gap in this part of Nepal, as the bulk of farming and domestic work is undertaken by women. In braving the tough journey towards the Himalayas, Lalita is also walking towards a brighter future for her young daughter.

Famously difficult to spot, yarsagumba grows from the decomposed bodies of caterpilla­rs and blends seamlessly into the earthy ground. Taking place during harsh weather conditions, the harvest puts incredible strain on the villagers, who are housed in makeshift rudimentar­y tents. These hardships are temporaril­y stemmed by moments of communal joy; there is an “entertainm­ent” tent where the villagers gather to watch movies and listen to music.

Their meagre pay pales in comparison with the earnings of the wholesaler­s, who can make up to $18,000 (£14,500) a kilo. When viewed in wide shots, the ant-like figures of the collectors and the majesty of the snowbound mountain ranges evoke an uneasy juxtaposit­ion of exploitati­on and beauty. Here are the blood, sweat, and tears poured into each shiny package of the “Himalayan Viagra”.

• Far Beyond the Pasturelan­ds is on True Story from 19 April

 ?? ?? ‘The ant-like figures of the collectors and majesty of the mountains evoke an uneasy juxtaposit­ion’ … a still from Far Beyond the Pasturelan­ds.
‘The ant-like figures of the collectors and majesty of the mountains evoke an uneasy juxtaposit­ion’ … a still from Far Beyond the Pasturelan­ds.

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