CONTRIBUTORS
MEGAN DAVIS
(“Free Speech and Buried Truths”, p.10) is a Cobble Cobble woman from Queensland, a pro vice chancellor and professor of law at UNSW, and a member of the Referendum Council.
JO CHANDLER
(“The Roads to APEC”, p.13) is a Melbournebased freelance journalist and author.
SARAH KRASNOSTEIN
(“Speaking for the Dead”, p.16) is a writer, a lecturer and a legal researcher with a doctorate in criminal law. She is the author of The Trauma Cleaner.
HELEN SULLIVAN
(“The Future End of Town”, p.18) is a Sydneybased freelance writer. She has appeared in The New Yorker and The Guardian.
HELEN GARNER
(“The Courts”, p.20) is an award-winning novelist, short-story writer, screenwriter and journalist. Her most recent book is the collection Everywhere I Look.
SEAN KELLY
(“Leave No Trace”, p.22) is a Fairfax commentator, and a former adviser to prime ministers Kevin Rudd and Julia Gillard.
SHAUN HANNS
(“I Left the Immigration Department to Speak Out”, p.34) is a former officer of the Department of Home Affairs.
PAUL DAVIES
(“A New Theory of Cancer”, p.40) is a physicist and astrobiologist at Arizona State University, where he is Regents’ Professor and Director of the Beyond Center for Fundamental Concepts in Science. His next book, The Demon in the Machine, will be published by Penguin in early 2019.
BRIOHNY DOYLE
(“A Woman Walks Alone at Night”, p.48) is the author of Adult Fantasy, which is shortlisted for the Melbourne Prize for Literature Best Writing Award, and The Island Will Sink. She is a lecturer at Deakin University.
DARRYN KING
(“On Broadway”, p.54) is a freelance journalist based in New York.
LUKE GOODSELL
(“A Bigger, Shinier Cage”, p.57) is a critic and editor who has contributed to the ABC, SBS and the Melbourne International Film Festival.
HARRY WINDSOR
(“The Outlaw Robert Redford”, p.60) is a critic for The Hollywood Reporter and the former editor of Inside Film.
OSLO DAVIS
(“In Light of Recent Events”, p.66) is an illustrator, artist and cartoonist. His latest book is Overheard – The Art of Eavesdropping. His work currently adorns a tram as part of the Melbourne Festival’s Art Tram project.