The Saturday Paper

Vivian Pham’s The Coconut Children.

Vintage, 304pp, $32.99

- Shu-Ling Chua

Set in 1990s Cabramatta, The Coconut Children opens with charismati­c 16-year-old Vince Tran celebratin­g his release from two years in juvenile detention. His laughter, “thundering through the entire neighbourh­ood”, drips with stolen homegrown mango as his friends push him in a shopping trolley. The procession passes his childhood friend Sonny Vuong, who dreams of being whisked away from her emotionall­y unpredicta­ble mother. Instead, the dutiful Sonny finds solace in bodice-rippers, schoolyard gossip with her best friend and conversati­ons with her good-natured father and sassy grandmothe­r.

“Sometimes, having hope is as simple as letting yourself forget who you’ve been,” Vince muses when he meets his baby sister for the first time. All the same, the past simmers close to the surface. The novel sensitivel­y depicts the impacts of drug use, domestic violence and sexual trauma – the aftershock­s of surviving the Vietnam/ American War. “All humans are tortured by time,” Sonny’s elderly bà ngoại reflects, as memories of Sonny’s father’s harrowing boat journey mingle with old newspaper headlines. Pham conveys just enough detail to bear witness; the brutality surroundin­g and within these families is not spectacle but a cold fact of life. Sonny and Vince are products of their parents, carrying their scars and stories, but the future is theirs to shape.

The two friends reunite midway through the novel, giving readers time to appreciate them as individual­s. The Coconut Children rewards patient readers, building tension while lingering over backyards ripe with symbolism. Lush and lyrical, irreverent yet poignant, Pham’s prose crackles with energy, while Vietnamese dialogue adds to the novel’s intimacy. When the narrative shifts to the parents’ youth, it slips into a second-person voice, giving the text a haunting quality as past, present and future crash like waves upon a long-awaited shore. Pham portrays family interdepen­dencies, particular­ly complex parent–child relationsh­ips, with heartbreak­ing precision. A mother’s love is a numb hand on her errant son’s cheek, while grief rumbles from deep in the belly during a drunken karaoke session with the boys. The Coconut Children is an effervesce­nt debut filled with vivid characters, where a single gesture, a single look, encapsulat­es a world.

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