The Saturday Paper

[Y]OUR PEOPLE [Y]OUR PROBLEMS

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I have never had a country willing to claim me as its own.

Sit with me as I sit with that.

Hold my hand. Our knees can touch

across the loneliness, which, at least and at last, wants nothing of us.

I heard a man and a woman have a public spat. Both saying the same thing:

Your people, your problems. Conditions of a birth marking conditions of a life

much like the colony itself, or is it the other way around? Isn’t it perverse how we are

never taught to love. Colony only sees problems. Colony disposes, dispossess­es, destroys.

Colony is nobody’s friend. Sit with me as I sit with that: O vast empty, I’m trying

to see you true. Colony cruels the world and the world, sca[r]red, heaves into rack.

Fellow flotsam, what makes a person a person? The animals are asking.

Friends, what makes a citizen a citizen? The people are barking.

Fiends, what makes a nation a nation? The massacred know

imagined borders conjure murders. I consider this from within my box.

Schrödinge­r’s poet, dead and alive, a sweet, stupid rhetorical device:

the box is brimming full of ghosts and the splendour of seedless soil.

Isn’t potential grand? Like a mother who is yet to [b]eat her child,

a language yet to be [for]gotten, or a body never [dis]placed. Sit—

[w]here? Where can we sit without being moved, without being monstered?

What is a song worth singing here? The silenced are listening.

What is a life worth living ?

The caged want to know—and I, I confess

though free, desire to be freer.

Sit with me as I sit with that, the [g]all.

What is an hour well houred? I abhor both leisure and labour when I learn

everything carries a cost, every minute must be accounted for, and extracted

from a pound of flesh. Despite this my knees buckle for a fresh [car]rot,

the wet crunch of it & my muscles long to ache, to grow, to slow, to age—

I want to say near a mountain or a river, somewhere flagless, uncountrie­d

where I can say I am a hue, a being a living breathing sea, immovable

& uncrossabl­e, water calling to water, a body still, host to a kin[der] universe—

you know, a sweet lie, something close to true, but history has proven

I will do anything for a hunk of hard cheese going green, even writing verses

for people who want to remember how good they are, or were, or could be

as the[ir] country disposes of others. Sit with me, please, in the rising waters

as I sit with that.

 ??  ?? OMAR SAKR is a writer and poet. He is the author of the collection­s These Wild Houses and The Lost Arabs, as well as the forthcomin­g novel White Flu.
OMAR SAKR is a writer and poet. He is the author of the collection­s These Wild Houses and The Lost Arabs, as well as the forthcomin­g novel White Flu.

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