The Saturday Paper

Mungo MacCallum (1941–2020)

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What made Mungo MacCallum special, one of the things, was that for all the bewilderme­nt and dismay he felt looking at politics he never lost his sense of clarity. If John Howard was the most effective politician of the past two decades, Mungo’s preferred descriptio­n of him was the most enduring: “an unflushabl­e turd”. MacCallum called his memoir The Man

Who Laughs and he was, even with a politics built of bad news. The shape of his nose meant that when he was serious it still looked as if he was thinking of something funny. “I come from a political family,” he wrote. “This is less of a boast than an admission.” The descendant of explorers and conservati­ve politician­s, he had another gag about this: “I used to volunteer that two great Australian families met in me, and both lost.”

MacCallum was part of a generation of writers who went to Canberra and changed the country. Robert Menzies was still in power. MacCallum’s journalism made our politics vivid and stumbling and alive. As his publisher, Chris Feik, said this week: “He brought wit to the coverage of Australian politics, and thus permanentl­y expanded our sense of it.”

MacCallum was The Saturday Paper’s first employee. A year and a bit before our launch, he sent a message out of the blue: “Know anyone who wants a regular supply of cryptic crosswords?” MacCallum did not know that we were planning a newspaper, just that he had “a huge emotional and financial need for a new outlet”. He took the job in three words: “Thanks mate – onboard.”

In recent years, MacCallum survived a heart attack and emphysema, and fought three types of cancer. “Recuperati­ng from pneumonia, emphysema, melanoma and

Tony Abbott,” he wrote in one message. “I’ll give you a ring when things have settled down a fraction.”

Surgery on his throat made it impossible to talk easily, although he never stopped writing. If an editor rang to check the meaning of a line, worried it might be defamatory, he would respond that this was indeed its intention: “A problem for you, my boy.”

MacCallum wrote with speed and flair. There was never a column he couldn’t deliver. Length and deadline were the only needed prompts. The final words would almost always be early: “Herewith.”

Two weeks ago, MacCallum sent a note to his editors. “I never thought I’d say it, but I can no longer go on working,” he wrote.

“It takes all my effort to breathe and I’m not managing that too well. And now my mind is getting wobbly – hard to think, let alone concentrat­e.

“So I am afraid there is not much point in continuing to push the rock up the hill. I shall retire to my Lazy Boy recliner, and doze over the television watching (or not) old sporting replays, propped up by drugs, oxygen and the occasional iced coffee. I am rapidly winding down.

“I am sorry to cut and run – it has sometimes been a hairy career, but I hope a productive one and always fun. My gratitude for all your participat­ion.”

Mungo is survived by his partner,

Jenny, his daughters Diana and Gail, his stepdaught­ers Adrienne and Gillian, and, by his estimate, “several million words’ journalism”. Last week he sent enough cryptic crosswords to last until March.

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