The Saturday Paper

Gavin Mccrea Cells: Memories for My Mother

- Nathan Smith is a freelance writer.

In Gavin Mccrea’s memoir are many cells, both real and imagined. There’s the mental institutio­n in which his father takes his own life. The family house that imprisons his “mad” brother – a place that keeps the family captive too. The figurative closet that the young Mccrea hides in for self-protection. “These are the cells that … form the canvas on which I am writing the body of this book,” he says.

Cells is an incautious­ly intimate stocktake of the places and people that have mired Mccrea’s life in pain and grief. In early 2020, he returns from abroad to join his 80-year-old mother in Dublin for Covid-19 quarantine. Mccrea finds that again being in intense domestic quarters with her triggers a lifetime of unresolved hurt and sorrow.

Many queer men know the complex and fraught role mothers play in their lives as sources of intense emotional bonding and sometimes also the enforcers of strict social norms. As a teenager, Mccrea is mercilessl­y abused and bullied by the local boys for being gay, an experience his mother knowingly ignores. She leaves her former “prince” companion to face a homophobic adolescenc­e alone. This act continues to cut deep even decades later as he makes her morning tea.

Interspers­ed throughout is psychologi­cal and Freudian analysis to cushion these blows, affording Mccrea a kind of bitterswee­t comfort for his mother’s transgress­ions. For example, he experience­s a recurring dream in quarantine of his mother holding him as a baby boy in a red dress. This dream allows him to fantasise a spoken exchange that finally answers questions that have been marked by silences for many years.

Elsewhere, readers are told how some cells can be unavoidabl­e – such as the entrapment of the family home – while others are necessary detours in our lives. His father’s time in a mental facility proves both a sanctuary and a death sentence: “We did not have the wherewitha­l to turn ourselves into a regenerati­ve cell [for him].” But these spaces – whether imprisonme­nts or refuges – permit grief to be processed and self-understand­ing discovered, as Mccrea finds in quarantine.

In its ungarnishe­d prose and loud inner voice, Cells stitches raw memories with new meanings to craft a brilliant composite of a son’s unexamined relationsh­ip with his mother. The memoir pairs Mccrea’s unspoken shame with his private sanctums to show how it’s these cells – physical or fantastica­l – where we sometimes finally find the words to speak.

Scribe, 336pp, $32.99

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