For cool in his comfy Crawl space

about Australian Crawl while promoting his new music. Now he’s got a few years of playing Crawl songs in concert under his belt — he is due to go on a tour celebrating the 40th anniversary of the band’s seminal debut The Boys Light Up this year, COVID-19 depending. There’s also a tour with Mark Seymour already bumped to 2021.

“I completely understand the realities of the business. It doesn’t make sense getting angry about it. Sometimes it does get frustrating. You’ve got a brand new record and you spend all day doing interviews and people just want to talk about The Boys Light Up or Reckless but I get that’s part of the context of me. It’s good to remind people ‘Oh it’s that guy’. I’ve grown to learn it’s about giving the audiences what they want.”

Reyne knows there’s a “core fanbase” keen to hear his new material, and his first solo album in eight years is a quality affair.

The Tallest Man I Ever Knew is about his late Crawl bandmate Brad Robinson (“I just used all the in-jokes only he would know and get”), while Burning Books was inspired by a report about how tigers will be extinct by 2035.

“I’m very aware as a species what us idiot humans are doing to the planet and to ourselves. Our priorities have become paparazzi getting photos of movie stars or pop stars and their rippling six packs as they come out of the surf. It’s ridiculous.”

Reyne even indulges in a trope he usually avoids on Trying To Write a Love Song.

“Some of the women in my life have said ‘Why don’t you ever write a love song?’ I’ve always said I’m just not very good at it and other people do it so much better than I do.”

He gave it a crack, setting his attempt in a motel where the protagonist is distracted by some romantic gymnastics next door.

“To annoy the few women who’d asked me I put a twist at the end, so there’s no happy ending,” Reyne said.

Toon Town Lullaby is out now