Queerstories

“GROWING UP WITH lesbian mothers in the ’80s in Australia, you get to do a lot of spokesperson-ing,” says Maeve Marsden, a producer and performer from Lady Sings it Better and this year’s Sydney Festival show Mother’s Ruin.

Marsden is a passionate storyteller – but she’s most passionate about hearing other people’s stories, particularly from within the LGBTQIA community. “Communities based around difference are worth celebrating,” she says. “Historically, the LGBTQIA community have had to be storytellers because our stories are sometimes erased in the history books.”

Queerstories started life as a recurring Late Night Library event at Kings Cross Library. The response was so positive that Marsden ran a Seniors Week special, then a one-off event at the Sydney Festival and a ticketed event during the Sydney Fringe. All of which were so successful that Marsden applied for funding and received a grant from the City of Sydney, enabling her to run Queerstories as a monthly fixture at the home of storytelling in Sydney, Giant Dwarf.

“I like to say it’s like Story Club with homos,” jokes Marsden. “We have a lectern rather than a big red chair (I didn’t want to steal Zoe Norton Lodge’s big red chair) and the stories are moving, sad, poetic, and comedic. I like the mix.” The City of Sydney grant means that Marsden can pay her speakers a fair wage and it also means they can have Auslan interpreters. Each night is recorded for a podcast, which Marsden says is part of that shared rewriting of history. “It’s a storytelling event first and foremost,” she says. “Not activists giving speeches on same-sex marriage – though if one of the speakers wants to get married they might talk about that.”