Total Film

Goodbye christoPhe­r robin

Brings a Heffalump to your throat…

- James Mottram

An absolute pile of Pooh.

CERTIFICAT­E Pg DIRECTOR simon curtis STARRING Domhnall gleeson, Margot Robbie, Kelly Macdonald, Phoebe wallerBrid­ge, will Tilston, alex lawther SCREENPLAY Frank cottrell Boyce, simon vaughan DISTRIBUTO­R Fox searchligh­t RUNNING TIME 107 mins

One of the most famous children’s characters of all time, the honey-stealing bear Winniethe-Pooh is beloved the world over. Far less is known about his creator, A.A. Milne, whose life was shaped by trauma in the trenches and drama on the home front: Milne had difficult relationsh­ips with his wife, Daphne, and son Christophe­r Robin, the inspiratio­n for Pooh’s boyhood friend.

Scripted by Simon Vaughan and Frank Cottrell Boyce – the latter’s past biopics include the out-there Tony Wilson story 24 Hour Party People and the more convention­al Jacqueline du Pré tale Hilary And Jackie – Goodbye

Christophe­r Robin begins with Milne (Domhnall Gleeson) returning from World War 1 to London high society to join his spirited spouse, Daphne (Margot Robbie).

Soon pregnant, Daphne endures a difficult birth with Christophe­r Robin, whom they nickname Billy Moon. As Billy (Will Tilston) gets older, his father – in search of tranquilli­ty – moves the family to the Sussex countrysid­e. While Billy settles in nicely with the help of family nanny Olive (Kelly Macdonald), Daphne’s adjustment to this rural retreat is anything but smooth.

Not that Milne notices: still shellshock­ed by his wartime experience­s, he resolves to write an anti-war piece. But with Daphne taking an extended trip to London, abandoning her duties to party with whomever she can, the frustrated author is left to bond with Billy, whose strongest emotional ties are to Olive.

Amid this, the toy bear given to Billy by his parents – not forgetting the donkey Eeyore, the tiger named Tigger and others – become inspiratio­ns for Milne to create his 1926 collection of short stories Winnie-The-Pooh, featuring illustrati­ons by his friend Ernest Shepard (Stephen Campbell Moore), which becomes a bestseller.

Directed by Simon Curtis (My Week With Marilyn), the film’s emotional grist arrives as Billy becomes an unwitting celebrity. With the boy who inspired Christophe­r Robin now an unfortunat­e PR tool, Billy’s search for his own identity is confused with that of Pooh’s fictional friend. Only as he becomes a young man (Alex Lawther) does this childhood trauma become clear.

Curtis’ work isn’t perfect. Milne’s PTSD is poorly represente­d, notably in the scene where he and Billy are in the woods and buzzing insects bring back memories of bombs. But a restrained Gleeson does his best playing a man who isn’t easy to like. Robbie, with a faultless English accent, and the ever-reliable Macdonald, are also credible, helping build towards a moving final chapter.

THE VERDICT

An engrossing biopic. More than just another author/creation story, Curtis’ film has things to say about celebrity, wartime and family.

 ??  ?? A.A. Milne and Christophe­r Robin doing a little Pooh in the woods.
A.A. Milne and Christophe­r Robin doing a little Pooh in the woods.

Newspapers in English

Newspapers from Australia