Total Film

À BIENTôT

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book ROGER MOORE WITH GARETH OWEN | Michael Mara

The late Sir Roger’s post-Bond screen credits weren’t anything to write home about, the likes of Spice World, Bullseye! and the abysmal Boat Trip showing a penchant for self-parody that was decidedly hit and miss.

Yet Moore’s winter years saw him enjoy far greater success as a raconteur and memoirist, a gift this posthumous­ly published monograph illustrate­s to heart-warming, engaging and occasional­ly moving effect.

True, some of his musings on airport security, mobile phones and other modern bugbears do plunge his last tome deep into grumpy old men territory. (“Would Q have come up with something as deeply frustratin­g as the self-service till?” begins one typical tirade.) Reminiscen­ces on his mother’s home cooking, swimming in the Thames and getting felt up at the pictures, meanwhile, are couched in a manner that suggests his bifocals may have been a little rose-tinted at the time of co-writing. That being said, his reflection­s on Brexit – “More good than bad has come out of the UK being a[n EU] member state”

– are refreshing­ly broad-minded.

If you’re after titbits on Moore’s movie career, you are better off reading 2008 autobiogra­phy My Word Is My Bond. Yet A Bientôt does earn kudos for box-outs on the films he didn’t get to make: an intriguing list of might-havebeens that includes Home Alone 2, Escape To Victory and a Frankenste­in spin-off called Victor. Neil Smith

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