Mary Quite Contrary
MARY QUEEN OF SCOTS I Director Josie Rourke gives historical drama a spin…
There’s a narrative that surrounds [Mary, Queen of Scots],” says Donmar Warehouse artistic director Josie Rourke, “which is really a Victorian narrative about her being silly, romantic and a not very capable politician.” Not so Rourke’s take – her first feature film after years of theatrical critical acclaim – which takes the Scottish cousin to Elizabeth I “really seriously”, positioning Mary as feisty counterpoint to the Virgin Queen and “the role she played in the creation of Elizabeth as the icon we now know her as”.
Charting Mary (Saoirse Ronan, linked to the project since 2012) from her return from France in 1561 through the ‘psychodrama’ of her interplay with Elizabeth (Margot Robbie) to her 1587 death, MQOS not only explores the politics of being a female monarch in a patriarchy, but also the ‘truth’ of a bond between two women working within the same system.
“The idea that you could take Saoirse, who is so brilliantly capable of playing feverish, delicate moments, and have her find her strength over the course of the film; and to take Margot, who’s someone with whom you associate that strength and show you vulnerability – it felt like it would produce something really exciting.”
Though Rourke kept her leads apart until filming a key seven-minute scene
where the two queens meet (which she likens to the De Niro/Pacino face-off in Heat), she felt a similar sisterhood on-set, long before recent headlines made this tale seem so relevant. But this is not a #MeToo response movie. “This is not just about going, ‘Here are