Total Film

OR DO WE NEED MORE LONG FILMS?

- Asks Tim Coleman

Don’t get me wrong, I love a short movie. High Noon, This Is Spinal Tap, Toy Story, Rashomon and Eraserhead all clock in under 90 minutes and are absolute classics. And in an age where bloated blockbuste­rs routinely pass the two-hour mark, many studios would do well to remember the beauty of a taut tale told well. However, there are stories that cannot be spun with such surgical precision, narratives that require three hours or – gasp! – longer to unfurl.

Back in the day, this wasn’t so controvers­ial. Gone With The Wind is just under four hours, while Lawrence Of Arabia, The Ten Commandmen­ts and Ben-Hur all pass three hours 30 minutes. But since ticket prices for longer films are the same as shorter ones (which can be screened more times per day and thus generate more moolah), there’s a financial incentive to rein in runtimes. Couple this with modern audiences’ supposedly diminishin­g attention spans, and you have the popular belief that two-hour (or less) movies are the best way forward.

There is, however, evidence to the contrary. Peruse the list of top-grossing films of all time and you’ll find the top three (Avengers: Endgame, Avatar, Titanic) are all whoppers. Similarly, IMDb’s leaderboar­d of top-rated movies is dominated by titles of two hours plus (The LOTR Trilogy; The Godfather Parts

I & II; The Dark Knight). It appears that, despite the received wisdom, punters still love an epic.

Now, I’m not advocating that everything needs to be like The Innocence (the 21-hour Bangladesh­i film and current record-holder for longest theatrical movie ever). But the recent explosion of long-form TV – particular­ly with Netflix and Amazon’s seasondump model – means that audiences are more accustomed than ever to bingeing four hours of viewing in a single go. It’s a trend that streamers seem to be waking up to, with Netflix also releasing Martin Scorsese’s gargantuan passion project The Irishman late last year to widespread acclaim.

You see, watching a film is like having a meal: sometimes you want a fast-food fix, but other times you want to kick back, luxuriate in the atmosphere and feast for hours.

Or is it just me?

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 ??  ?? “No, Joe, if Marty splits this into two movies, one part will always get lost somewhere in the Netflix menus.”
“No, Joe, if Marty splits this into two movies, one part will always get lost somewhere in the Netflix menus.”
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