PROFILE BRENT HINDS

The 2000s were something of a reactionary decade for metal, with the purists (whose upbringing more than likely consisted of a mix of hardcore punk, thrash, death metal and/or Pantera) looking to steer the genre away from the dominance of nu-metal in the 90s. The rise of metalcore and the New Wave of American Heavy Metal in particular popularised a new sound for a new century, but as one scene replaced another, some of its most promising acts were determined to avoid being pigeonholed.

In a sky full of bright stars, Atlanta’s Mastodon arguably shone the brightest. From their sludge-metal beginnings through numerous progressive concept albums right up to their ambitious yet crossover rock sound of recent years, the four-piece have been an ever-relevant and inspiring presence in modern metal. Guitarist Bill Kelliher deserves credit, too, of course, but it’s face-tattooed mastermind Brent Hinds who has steered the group from its sludgy origins into bold uncharted territory.

Hinds’ guitar playing showcases both an understanding of heavy metal’s history – a necessity for many fans – and a fearlessly innovative streak that’s detrimental to its evolution. Through drop-tuned riffing, NWOBHM harmonies, thrash soloing and even skillful pedal-steel playing as demonstrated on 2018’s Colddark Place, Hinds’ versatility has not only keep the band sounding fresh over their 20-year career, but has actively spearheaded them to both critical acclaim and legions of fans worldwide.

Alongside a career-spanning use of Gibson SGS, Hinds’ affinity with the Flying V silhouette has seen the guitarist release a custom silverburst model with Epiphone in 2016 – a finish favoured by all Mastodon members. Players looking to emulate Hinds’ tone would be wise to start here, alongside Orange amp heads and Dunlop Jimi Hendrix Octavio and Monster Effects Mastortion pedals.

HINDS HAS STEERED MASTODON FROM THE BAND’S SLUDGY ORIGINS INTO BOLD UNCHARTED TERRITORY