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Here’s how the most influential guitarist of them all worked his voodoo style...

Thumb-over-the-neck barre chords

Classical guitarists may balk, but Jimi’s ‘thumb over the neck’ barring technique allows him to position his fret hand in a way that those magical embellishments fall neatly under his fingers. It’s just a matter of wrapping your thumb round the neck to fret the sixth string instead of using your first finger to barre across all six strings. Try the basic G chord first, and hammer on to the extra notes for a Little Wing or Castles Made Of Sand vibe.

Minor shapes

The ‘thumb over the neck’ and one-finger barre techniques also apply to minor chords. Remember, Jimi would often play only two or three notes from each shape – an idepaatgheat1alolofw1s you to ditch the occasional note you can’t easily reach and focus onnoctlesa:nly fretting the more colourful extensions.

First-finger barre chord shape

This first-finger barre across three strings is a key part of Jimi’s rhythm style. We’ve really only scratched the surface with a few third-finger variations here but experiment with your second and fourth fingers, too. Start with the one-finger barre and hammer on to the additional notes in C/E, Am and Cadd9/g for authentic sounds in the style of Wait Until Tomorrow, Bold As Love and many more.

Funk chords

He’s arguably best known for his fiery, psychedelic lead guitar style, but Jimi played with so much groove, too. Get your fingers round these edgy sounding chords and you’ll be part way to nailing his aggressive funk-rock stylings. The 7#9 is the great man’s best known signature chord and can be heard in Purple Haze, Foxey Lady, Crosstown Traffic and more.