Top talent jazz up classic
WELCOME to the decadent world of speak- easies, immorality, a questionable prison system and political and legal corruption in 1920s Chicago.
It’s all there in the musical bearing the city’s name, showing at the Burdekin Theatre. And it’s a blast.
Set in the vaudeville era, the music and choreographic style mirrors that jazz period perfectly, providing some fine dancing and great tunes.
The Burdekin Singers and Theatre Company have created an impressive version of the popular Broadway hit under the direction of Northern theatre legend Pat Nuttall.
She has assembled a good cast, led by the two stars of the show, Laura Bromham as Velma and Jasmin Delle Baite as Roxie, both in jail facing murder charges. These two take total command of the stage and their solos, duets and dance routines are outstanding. Striking performances by both.
They are ably backed up by two experienced popular locals, ( a bewigged) Rick Romeo as the slimy lawyer Billy Flynn and David Lequerica as the much putupon Amos Hart, husband of Roxie. Again, very good performances. Always a highlight of Chicago is the Cell Block Tango, and the multi- talented singers and dancers really made it as thrilling as it should be.
Michael Row as the Master of Ceremonies deserves praise for his commanding, stentorian voice ( and almost disturbing costume). However, faster cuing would help the flow in his and some other scenes.
All other speaking roles are played with great effect. The chorus and dancing ensemble are of a high standard. Choreography is excellent and doesn’t appear to stray far from the 40- yearold original moves by the great Bob Fosse. Why would you try to improve on his genius?
Vocal direction is by Karen Peel and Jamie Schmidt provides a subdued lighting design for the director’s low- key but effective, multi- level set.
Once again, the orchestra is impeccable. The musical talent we can boast in the North is remarkable. Monica Licciardello and her band of 11 were spot- on with sound and timing.
It is a renowned musical, with great songs, outstanding dancing, full of laughs and an interesting storyline ( it is loosely based on a true story). Add a talented cast and crew and you have a wonderful evening of entertainment. It is well worth your while to head south, east or north to the Burdekin to experience the razzle dazzle ( and all that jazz) of Chicago.
Chicago the Musical is at the Burdekin Theatre Ayr this Friday and Saturday at 8pm, with a final performance at noon on Sunday. Tickets are priced from $ 34 for children to $ 40 for adults. Get them through the Burdekin Theatre website or by phoning the box office on 4783 9880.