Townsville Bulletin

Raw and real relationsh­ips

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THE GOOD Mad About You

This 1990s comedy starring Paul Reiser and Helen Hunt as a pair of New York newlyweds covered everything from the daily minutia of married life through to major relationsh­ip struggles. The controvers­ial finale flashed forward 22 years where the couple’s grown-up daughter, now a filmmaker, revealed her parents had separated decades earlier. They reunite at the end of the episode.

I Love Lucy

Real-life spouses Lucille Ball and Desi

Arnaz played OTT versions of themselves in this classic sitcom. The playful bickering between their characters endeared them to audiences around the world. But behind the scenes all was not rosy and they divorced. A miniseries about the couple’s relationsh­ip, starring Nicole

Kidman as Ball and Javier Bardem as Arnaz, is in production. cti

Shock from the truth, from the brutality, from the naked truths. But also, I was amazed by the fact that you can be so minimalist­ic and like two people talking and still create like high art.”

In modernisin­g the series, Levi

The First Wives Club

Goldie Hawn, Diane Keaton and Bette e

Midler play estranged school friends who bond when they each discover their husbands have been having affairs with much younger women.

Joining forces, the scorned women plot their revenge against the men who have done them wrong and find new confidence and independen­ce in the process.

THE BAD Divorce

Supposedly a black comedy, this series marked Sarah Jessica Parker’s much- hyped return to TV after the end of Sex and the City. Parker played a mother-of-two who, after having an affair, decides to leave her husband.

The greatest question here wasn’t why

Parker’s character would stray but how she could have stayed married to her man-child of a husband for so long.

Kramer vs Kramer

Dustin Hoffman and Meryl Streep both won Oscars playing a couple fighting over custody of their young son. It’s since emerged

Hoffman harassed Streep on set, hurling insults and taunting her with the name of her recently deceased fiance, actor John Cazale.

Hoffman, a method actor, claimed the abuse was designed to extract a better performanc­e from

Streep.

But in 2018, Streep told The New

York Times that Hoffman had slapped her, without warning, during a scene: “This was my first movie, and it was my first take in my first movie, and he just slapped me. And you see it in the movie. It was oversteppi­ng.”

Blue Valentine

This rather bleak movie shifts between the early courtship of an aspiring doctor (Michelle Williams) has flipped the genders of the characters so that it is Chastain’s character, Mira, who is the breadwinne­r while husband, Jonathon, is the stay-at-home parent.

Chastain says she was grateful not to be playing a new version of Ullman’s character from the original series.

“What I am happy about with our series is that no one is playing Marianne because there’s only one Marianne and that’s Liv and a hapless romantic house painter

(Ryan Gosling) and the nasty end to their marriage.

THE UGLY Marriage Story

Another divorce movie, this time inspired by the director Noah Baumbach’s own break- up with actor Jennifer Jason Leigh. Here Scarlett Johansson is an actor fed up with being sidelined by her director husband’s ambition, and so moves across the country to further her own career, taking their young son with them. The bitterness between the former couple escalates into all-out war when cutthroat lawyers get involved in their divorce proceeding­s.

Revolution­ary Road

They played one of the most beloved couples in cinematic history in Titanic. But when

Leonardo Dicaprio and Kate Winslet reteamed for this 2008 drama (directed by Winslet’s thenhusban­d Sam Mendes) it proved even more heartbreak­ing than the sight of Jack slipping beneath the icy waves. Here they play an unhappy couple who each feel stifled by their suburban life.

The Affair

Dominic West (who recently made headlines for his own real-life extramarit­al affair) plays a cuckolded husband who falls in love with a waitress he meets at a diner while on summer holiday with his large family. Each episode of the series tells the same story from the viewpoint of two different characters involved, giving insight into how an individual’s perspectiv­e can shape an experience and lead to conflict.

Ullman,” she says.

“This is the modern adaptation of Mira, who’s basically Johan. But in 2020 … we’re in an interestin­g time in society where a lot of women are the breadwinne­rs of their families.

“And there’s some shame in that they feel embarrasse­d, or they feel like ‘I don’t want to emasculate my husband’ or to make them feel bad.

“So, they make themselves smaller at home because they want their husband to feel like he’s the king in the house.

“Well, you know what, what happens is whenever if you have to go home and you have to make yourself small, that’s not a healthy relationsh­ip.”

Scenes From a Marriage, which premiered on Foxtel this week and is available on demand, is just the latest in a long history of screen relationsh­ip breakdowns.

The first time I watched it, the effect was like just shock

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