Townsville Bulletin

Cancel the cancellers

- Joe Hildebrand

It is almost too much to hope for. It is almost too scary to say out loud. Yet the signs are all there that the dream of all sensible, freethinki­ng, fun-loving humans is finally being realised: Cancel culture is getting cancelled.

There was a time when this seemed not just impossible but actually unthinkabl­e, lest the thought police cancel our minds.

The swarms of activist censors who trawl social media, mainstream media, politics, art and even children’s books looking for things to get outraged about seemed just too many, too loud and to have too much time on their hands.

Those who stuck their heads above the parapet to voice contrarian or unfashiona­ble views on any number of subjects were torn to shreds – sometimes literally.

Salman Rushdie got stabbed half to death, JK Rowling had her books burnt and Sydney University had to cancel a Mexican-themed staff party after complaints by the campus’s Autonomous Collective Against Racism.

And no, that wasn’t a Monty Python sketch. It really happened.

But after years of public figures and institutio­ns fearfully and mindlessly prostratin­g themselves to the mob, something extraordin­ary has happened. Everyday people and everyman leaders have responded to the hysteria and censure, all the culling of language and literature, with that most Australian of defences: Yeah, nah.

Fittingly it was Australia’s greatest iconoclast Barry Humphries who accidental­ly martyred himself to this cause. In death as in life, his timing was impeccable.

Humphries’ entire life’s work was devoted to unsettling the smug and uptight and censorious. It may be an apocryphal legend, but one of his first performanc­es was said to be hopping on the Camberwell tram one morning in a state of undress to the shock of commuters from that staid dry suburb. Then at each stop a prearrange­d attendant would hop on and incrementa­lly deliver him pants, shirt, toothpaste and razor, until he disembarke­d in town the very model of a middle-class gentleman.

Little wonder his favourite character was Sir Les Patterson, whose sole purpose was torching all those comfortabl­e social mores in a glorious bin fire, a process often lubricated with an ointment or two.

Being something of an absurdist himself, it is apt that Humphries’ death caused such absurd contortion­s among the censorious commentari­at that it melted them all into an ironically illuminati­ng pile of sludge.

The Melbourne Comedy Festival provided a level of amusement rarely now seen in its venues when, having removed Humphries’ name from its peak “Barry Award” because of some random comments he made, it said after his death the award was never named after him in the first place.

It also stood by the decision but did not and would not pay tribute, but did. And then Jane Caro got shamed on Twitter for misgenderi­ng Hannah Gadsby. There ought to be a new award for making humourless­ness so hilarious.

But unusually for Barry this time he was only the opening act. The closer was our very own Prime Minister.

Despite all the carry-on from the right about Anthony Albanese being from the left faction of the Labor Party, he is instinctiv­ely a sensible centrist with little tolerance for silly woke platitudes.

The PM has shown this unfailingl­y since his election a year ago. He’s been tough on China, strong on

national security and stuck to the stage 3 tax cuts despite immense pressure from the left. Albanese is a man firmly in the middle.

But he has now also shown he is a freedom fighter. Despite the histrionic­s and hand-wringing he knew it would bring from Twitter pontificat­ors, Albo this week sat down with anti-woke warrior Piers Morgan for an interview in which he said he liked Barry Humphries, liked Fawlty Towers, didn’t like cancel culture, would pledge allegiance to the King, and that a woman was a woman.

Oh, and to leave children’s books alone. This came just days after he troubled the pearl-clutchers by – shock horror – attending Kyle Sandilands’ wedding.

The left and the right tried to drum up outrage over these banal events, and in both cases it caught fire with all the enthusiasm of wet tissue paper.

Australian­s are weary of outrage. Now that we’ve got real problems, wages are more important than words. Indeed, it is precisely this abstract obsession with language and identity and offence that has derailed

and discredite­d the left for so long.

Anyone who truly cares about disadvanta­ge should be obsessed with the cost of living, wages growth, economic productivi­ty and educationa­l outcomes.

And there should in this country be an immediate focus on addressing Indigenous disadvanta­ge instead of confected hysteria about the racial compositio­n of discussion panels directed towards that very thing.

So let’s cancel cancel culture once and for all and replace it with real solutions to real problems.

 ?? ?? JK Rowling poses at the world premiere of the film Fantastic Beasts: The Secrets of Dumbledore in London.
JK Rowling poses at the world premiere of the film Fantastic Beasts: The Secrets of Dumbledore in London.
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