VOGUE Living Australia

AN EYE FOR STYLE

AS ONE OF THE MOST INFLUENTIA­L CELEBRITY PHOTOGRAPH­ERS OF THE 1950S AND ’60S, WILLY RIZZO IS EQUALLY REVERED FOR HIS SLEEK, SOPHISTICA­TED FURNITURE DESIGN, WRITES JASON MOWEN.

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MY DESIGN EPIPHANY, so to speak, took place when I was eight. It was the late 1970s and my greatgrand­parents were visiting from the South of France with photos of their apartment, nestled in the hills behind Cannes. Obviously I’d never seen anything like it — think Mies van der Rohe meets To Catch a Thief. Amid the odd antique piece, streamline­d, almost futuristic furniture in highly polished metals and chocolate-brown suede seemed to float over travertine floors, framed by geraniumcl­ad views of the French Riviera. Fast-forward three decades and I would discover the identity of the creator of such dazzling furniture: famed Italian photograph­er and designer Willy Rizzo. Born in Naples in 1928 but relocating to France with his mother in the ’30s, Rizzo took to photograph­y at an early age. His career began as a teenager, covering the Liberation of Paris in 1944 for Ciné Mondial, followed by the Nuremberg trials, post-war North Africa for Point de Vue ( his poignant photos of burnt-out tanks against the Tunisian sunset were also bought by Life magazine) and shooting a portrait of Winston Churchill that made the cover of Paris Match in 1949 — the first in colour. However, it’s for fabulous celebrity photograph­y that Rizzo is best known. In 1946, France Dimanche sent the young and charismati­c photograph­er to cover the first Cannes Film Festival, where, in a chance meeting in the lobby of his hotel, Rizzo met Zina Rachevsky. The photograph­er not only convinced the young socialite/starlet to pose, he gained unfettered access to the glamorous elite when invited to a party being hosted by the girl’s father. “All the rich and beautiful people were there,” Rizzo recalled. “Diamonds, costumes, cars… and I took pictures.” The photograph­er’s legend would soon mimic that of his celebrity subjects, firmly establishe­d through an illustriou­s career and his 1968 marriage to Italian actress Elsa Martinelli. Rizzo photograph­ed many of the great 20th-century icons, from Audrey Hepburn and Sophia Loren to Marlene Dietrich, Coco Chanel, Salvador Dalí and Pablo Picasso. His 1958 portrait of Brigitte Bardot on her hands and knees on a boat in St Tropez is perhaps his most famous, although his most memorable subject was Pope Pius XII. His portraits of Marilyn Monroe are equally unforgetta­ble: with Monroe in a fragile emotional state just weeks before she died, what began as a chaotic appointmen­t transforme­d when she was in front of the camera. Rizzo described the actress as an angel. “When she appeared, I fell in love.” He was one of the last photograph­ers to shoot her. In 1966, during the years of Italy’s famed la dolce vita, the photograph­er relocated to Rome and, by chance, fell into his ‘second career’. Having long admired the furniture designs of Ruhlmann, Van der Rohe and Le Corbusier, he redesigned his apartment overlookin­g the Spanish Steps, creating sleek custom furniture that quickly captured the attention of his sophistica­ted friends. Rizzo soon received commission­s (fittingly, one of his first clients was Igor ‘Ghighi’ Cassini, who claimed credit for coining the term ‘ jet set’) and in 1968 establishe­d his own design and manufactur­ing atelier in Tivoli, outside Rome. Over the following decade, 30 of his ingenious designs, including sexy modular sofas upholstere­d in wild boar skin and the iconic ‘ TRG’ revolving coffee table, were handmade by a team of talented artisans — the look was modern but each piece was crafted in an entirely traditiona­l manner. In 1978, Rizzo returned to his first love, photograph­y. He would remarry, spending the remainder of his life in Paris with his wife, Dominique, and their three children. Never one to sit still, Rizzo opened a gallery on the Left Bank in 2010 ( just three years before he died, at age 84), showcasing his talent as both photograph­er and furniture designer. Which is his greatest legacy? Visit the gallery and decide for yourself.

“All the rich and beautiful people were there… and I took pictures”

Studio Willy Rizzo, 12 rue de Verneuil, 75007 Paris; willyrizzo.com.

 ??  ?? clockwise from right: Rizzo’s Paris dining room with Bay of Naples fresco, a 1966 portrait of Yves Saint Laurent and Pierre Cardin, and Rizzo’s ‘TP-Elliptique’ table. Portrait of Salvador Dalí (1950). With model Donna Mitchell in Milan, during a photo...
clockwise from right: Rizzo’s Paris dining room with Bay of Naples fresco, a 1966 portrait of Yves Saint Laurent and Pierre Cardin, and Rizzo’s ‘TP-Elliptique’ table. Portrait of Salvador Dalí (1950). With model Donna Mitchell in Milan, during a photo...
 ??  ?? Rizzo took inspiratio­n from a Rolex watch in 1968 to design his ‘Flaminia’ table, seen above in his Paris apartment flanked by ‘Canapé C Marron’ sofas and a pair of ‘Lovelamp’ table lamps.
Rizzo took inspiratio­n from a Rolex watch in 1968 to design his ‘Flaminia’ table, seen above in his Paris apartment flanked by ‘Canapé C Marron’ sofas and a pair of ‘Lovelamp’ table lamps.

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