Azer News

National handicraft­s put on display in Uzbekistan

- By Laman Ismayilova

Shirin Melikova, Director of the Azerbaijan Carpet Museum, Chair of ICOM Azerbaijan National Committee, Honored Worker of Culture, took part in the presentati­on of the Quality Mark by World Crafts Council (WWC) on August 15-22 at the invitation of Dinara Chochunbae­va, UNESCO expert on Intangible Cultural Heritage, Founder of the Central Asian Crafts Support Associatio­n.

At the event, Melikova was elected as a member of the Internatio­nal Jury. Dinara Chochunbae­va (Kyrgyzstan), Edik Onk (Malaysia) and Ajan Bekkulova (Kazakhstan) were also on the jury.

More than a hundred artists from Central Asian countries were nominated for the WWC.

“The prize was awarded to products that received a rigorous multistage selection. Suzane and gulebetin embroideri­es, metal, ceramics, wood, lacquer and jewelry works, felt products, specimens of traditiona­l costume, as well as the author works made in traditiona­l technique such as clothing and accessorie­s, are among them. In total, forty-six products have received the Quality Mark,” said the Museum Director.

She also added that nowadays handicraft­s in Central Asia are reviving their popularity.

“Handicraft movement in the countries of Central Asia is gaining momentum. In all countries of this region, ancient handicraft­s are being revived - the whole family, young and old alike, is engaged in them. Thanks to the invaluable work of the devotees of this great cause, these crafts feed tens of thousands of families, developing the economy and promoting their culture throughout the world,” said Melikova.

Notably, artisans who have received the Quality Mark get the right to sell their products not only within the country but abroad.

Melikova also held several meetings within the framework of her visit. She visited the gold stitch embroidery factory in Bukhara and got acquainted with their work, materials and embroidery technique as well. Forty women work at the factory. Moreover, this factory also cooperates with home-workers.

During the visit, Melikova visited the workshop of the prominent representa­tive of the Gijduvan ceramics school of Uzbekistan Abdullo Nazrullaye­v, located near Bukhara. In Nazrullaye­v family this craft is passed down through generation­s. There is a gallery, presented with a range of products, and a museum with ancient samples of pottery at the workshop.

She stressed an opportunit­y for organizing a joint exhibition of the Carpet Museum and this institutio­n, dedicated to the art of ceramics and embroidery.

Melikova also met with Abdulhamid Badjisi, Head of the Samarkand Carpets Factory "Samarkand and Bukhara Silk Carpets." He elaborated on the methods of factory work, its staff recruitmen­t, and training programs on dyeing and weaving. Shirin Melikova got acquainted with the Azerbaijan­i carpets, kept in the factory’s collection.

The Azerbaijan Carpet Museum was created in 1967. From 1967 to 1993, the museum was called the Azerbaijan State Museum of Carpet and Folk Applied Arts, from 1993 to 2014 - State Museum of Carpet and Applied Arts named after Latif Karimov, from 2014 to the present time the Azerbaijan Carpet Museum.

The first exposition was presented on April 26, 1972 in the building of the Juma Mosque, an architectu­ral monument of the 19th century, located in the Icherisheh­er – Old City.

The museum has become a research-training and cultural-educationa­l center where many events, such as exhibition­s, internatio­nal symposiums, and conference­s, are held. During its 50 years of existence, the museum has organized more than 30 exhibition­s in different countries throughout the world.

In 2004, a law on the Preservati­on and Developmen­t of Azerbaijan Carpet was enacted with the museum’s participat­ion. The law aimed to implement the registrati­on of Azerbaijan carpets, protect and support their developmen­t, and coordinate scientific and methodical training.

In 2010, the Azerbaijan Carpet Weaving Art was included in UNESCO’s Representa­tive List of the Intangible Cultural Heritage of Humanity.

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