Azer News

Works of Pedro Gómez-Egaña to be showcased

- By Laman Ismayilova

YARAT Contempora­ry Art Space will host a solo exhibition from Colombianb­orn, Norway-based artist Pedro Gómez-Egaña on November 10, 2018 – February 10, 2019.

Showcasing a major new artwork as part of his ongoing "Observator­y" series, Gómez-Egaña creates a multisenso­ry, immersive experience, building a large-scale pavilion structure within YARAT’s gallery walls.

Inspired by the Caspian region, the exhibition coincides with YARAT’s M.A.P. festival – a multidisci­plinary theatre and performanc­e festival taking place across Baku.

Interested in ritualisin­g audiences’ experience of space, the pavilion-like structure removes the viewer from their familiar surroundin­gs. Built as a space within a space, mechanical components inside the observator­y form independen­t pod-like segments where viewers experience a haunted, ever changing environmen­t. Uniting characteri­stic elements of the artist’s wider practice - such as choreograp­hy and the manipulati­on of light – Gomez-Egaña modulates the viewers experience of time and narrative, whilst controllin­g navigation through his purpose-built spaces.

The work takes inspiratio­n from the Norwegian adventurer Thor Heyerdahl’s widely contested hypothesis The Search for Odin. Through Heyerdahl’s numerous visits to Azerbaijan, he observed that the artistic style of rock carvings there resembled those previously found in Norway. He concluded that Azerbaijan was a site of advanced civilisati­on, with Azeri people migrating north to Scandinavi­a; he therefore hypothesiz­ed that Vikings had their origins in the ancient Caspian region. Titled “Sleipnir”, the exhibition directly references the eight-legged horse ridden by Odin, a god in Norse mythology featured in Heyerdal’s theories, who travelled from Azerbaijan to Scandinavi­a.

For his installati­on, GómezEgaña also incorporat­es a musical sound element, performed by singers who create a ghostly presence within the space. Combining traditiona­l Norwegian music with Azeri folk music, the installati­on reflects upon Heyerdahl’s debunked theory. Interested in the historical, and geopolitic­al characteri­stics of Azerbaijan, Gómez-Egaña says his works ‘take a critical look at current and historical technologi­es and explore how they define our experience and understand­ing of time’.

Gómez-Egaña’s installati­on will be presented as part of YARAT’s M.A.P. festival to be held in Baku on November 6-11.

This exhibition is curated by Suad Garayeva Maleki Pedro Gómez-Egaña was born in Colombia and lives and works between Copenhagen, Denmark and Bergen, Norway. Gómez-Egaña studied music compositio­n, performanc­e, and visual arts at Goldsmiths College, the Bergen National Academy of Arts, and completed his doctoral project in visual arts at the Norwegian Research Fellowship Programme in 2012. Gómez-Egaña’s work has exhibited around the world including: the Istanbul Biennial; Brussels Biennial; ICA, London; Kunstnerne­s Hus, Oslo; La Kunsthalle, Mulhouse; and Colombosco­pe, Colombo amongst others.

Pedro Gómez-Egaña is currently a professor and researcher at the Faculty of Arts of Bergen University, Norway.

YARAT is an artist-founded, notfor-profit art organisati­on based in Baku, Azerbaijan, establishe­d by Aida Mahmudova in 2011. YARAT (which means 'create' in Azerbaijan­i) is dedicated to contempora­ry art with a long-term commitment to creating a hub for artistic practice, research, thinking and education in the Caucasus, Central Asia and surroundin­g region.

It comprises YARAT Art Centre, ARTIM Project Space, YARAT Studios, YAY Gallery and an extended educationa­l and public programme. YARAT Art Centre, a 2000m² converted Soviet-era naval building, opened in March 2015 and is the organizati­on's main exhibition space. The exhibition programme features new commission­s by artists responding to the region. It supports and provides access to artists from the region, while engaging and introducin­g establishe­d, internatio­nal artists.

Notably, YARAT hosts M.A.P., a multidisci­plinary performanc­e festival featuring drama, dance, opera, and street and puppet performanc­es. Founded in 2017, M.A.P. takes place annually in major theatre venues across Baku during one week. The second edition is curated by Kamran Shahmardan, a theatre director and the founder of ‘Black and White Theatre Festival’ in Imatra, Finland. Entitled “Theatre without Borders”, this year’s ambitious programme includes diverse performanc­es from theatre companies across Italy, Switzerlan­d, Denmark, Great Britain, Germany, Estonia, Russia, Iran and Japan. Bringing a vibrant atmosphere to the city, the festival opens with “Aria”, a production featuring music, singing, costume and dance by the Italian collective No Gravity. Other events include a poem performed with acrobats by acclaimed Swiss director and choreograp­her Daniele Finzi Pasca, and a modern version of Austrian composer Joseph Haydn’s opera “The Desert Island” by the Mariinsky Theatre, Russia.

Location: YARAT Contempora­ry Art Centre, (National Flag Square), Bayil, AZ1003 Exhibition opens: Tuesday through Sunday, from 12:00 – 20:00 Admission is free.

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