Gulf Today

SAF presents the third iteration of Sharjapan with focus on architectu­re

- Muhammad Yusuf, Features Writer

SHARJAH: Sharjah Art Foundation (SAF) is preparing to present the third iteration of Sharjapan titled Remain Calm: Solitude and Connectivi­ty in Japanese Architectu­re, curated by Yuko Hasegawa (July 24 – Oct. 1). Reflecting on the intimate role architectu­re plays in our lives, the exhibition explores the work of notable Japanese architects and an artist who use traditiona­l concepts to create physical spaces, with both modern and contempora­ry resonance.

Convention­ally understood as a space of enclosure, architectu­re exists independen­t of the external world, and yet simultaneo­usly is in dialogue with its surroundin­g environmen­t. Remain Calm draws inspiratio­n from the thirteenth century poet Kamo no Chōmei and looks to the hut, or hermitage, as a prototype that illustrate­s one of the underlying spiritual aspects of Japanese architectu­re.

Having witnessed famine, natural disaster and war, Chōmei became a hermit and retreated to a tiny, collapsibl­e hut that he moved along the banks of the Kamo River. The portable shelter offered him a place for quiet reflection and a space to remain calm — independen­t of the outside world, while at the same time connected to the surroundin­g environmen­t through sensory perception.

The exhibition examines architectu­ral projects that date from the thirteenth century to the present, from both historic and contempora­ry perspectiv­es, through the lens of two key themes: solitude and connectivi­ty.

The modern and contempora­ry projects presented in it have inherited simplicity, serenity and autonomy from, yet connection with, the outside world — qualities integral to Japanese huts, tea ceremony rooms and traditiona­l sukiyazuku­ri residentia­l architectu­re that originated in Zen culture.

The exhibition introduces visitors to experiment­s in Japanese architectu­re that aesthetica­lly, stylistica­lly and methodolog­ically demonstrat­e similar values of constructi­on. Chōmei maintained a socio-historical perspectiv­e that was rare in court poets of the time. His accounts of chaos suggest his social interests, and he contrasts them with his peaceful life in seclusion.

His careful depictions of the natural surroundin­gs of his hut and of the natural and social disasters, form a unique microscopi­c and macroscopi­c view of life, during a violent period of transition.

Atention to nature and self-reflection characteri­se the genre of recluse literature, and Chōmei was its pre-eminent practition­er.

Remain Calm features an expansive design, which includes sculptural models that explore abstract concepts, spatial and performati­ve multi-media installati­ons as well as drawings, photograph­s and scale models of architectu­ral projects.

A model of Sen no Rikyū’s Tai-an tea house serves as the starting point of the survey, which also introduces the work of emergent and establishe­d architects Koji Fuji, Togo Murano, Sutemi Horiguchi, Toyo Ito, Kazuyo Sejima, Junya Ishigami, onishimaki + hyakudayuk­i architects, Shingo Masuda and Katsuhisa Otsubo, alongside a performati­ve installati­on by artist Nile Koeting.

Koeting’s performanc­e will take place during the opening day, from 11:00 am to 9:00 pm. The multidisci­plinary artist will present Remain Calm (Reduced +), a new version of his ongoing performati­ve installati­on, inspired by the writings of author and researcher, Miriam Stoney.

The futuristic landscape is programmed to simulate conditions of natural disasters such as earthquake­s, floods, fires and meteorite impacts.

As disaster unfolds on a simulative ‘set’, the installati­on imagines an institutio­n in a state of emergency and questions the kinds of solidarity that would emerge.

The performanc­e offers practical perspectiv­es on the role museums and art centres can play in times of crisis. Speculativ­e scenograph­y is evoked by sensory elements such as fog, light, micro plastic sand and stylised moving images like those seen on airport informatio­n display boards.

Remain Calm: Solitude and Connectivi­ty in Japanese Architectu­re is the third iteration of Sharjah Art Foundation’s four-year collaborat­ion with curator Hasegawa that aims to introduce aspects of Japanese culture to audiences in Sharjah.

Sharjapan 1: The Poetics of Space highlighte­d book design in Japan through innovative exhibition methods, bringing together typography, page design and photograph­s, combining text and images, while Sharjapan 2, titled Inter-resonance: Inter-organic, focused on performanc­e and sound-based installati­ons.

This edition of Sharjapan explores ideas that resonate powerfully in our uncertain times, when the pandemic has made staying at home the ‘new normal’, while disrupting individual connectivi­ty to an outside world that seems fraught with challenges, risk and unknown possibilit­ies.

It is a propositio­n for a place to contemplat­e the possibilit­ies of new lifestyles and modes of human existence - to cultivate serenity infused with a richness of thought, to nurture ways of life that are both productive and intellectu­al, and to understand the choice between isolation, exclusion and connection in life.

Hasegawa is the Director of the 21st Century Museum of Contempora­ry Art, Kanazawa (April 2021 – present), Professor in Curatorial Studies at the Graduate School of Global Arts, Tokyo University of the Arts (2016 – present) and Artistic Director of Inujima Art House Project (2011 – present). She was Artistic Director of the Museum of Contempora­ry Art, Tokyo (2016 – Mar. 2021).

She is a member of the Advisory Commitee of the Istanbul Biennial ( 2017 – present) and has previously served on the Advisory Commitee of the Rockbund Art Museum, Shanghai (2014 – 2018) and the Asian Art Council at the Solomon R Guggenheim Museum, New York (2008 – 2012).

She has been honoured with Japan Commission­er for Cultural Affairs Award, the Agency for Cultural Affairs, Japan ( 2020), the Ordem de Rio Branco, Brazil (2017) and the Chevalier de l’ordre des Arts et des Letres, France (2015). She completed a BA in Law from Kyoto University and an MFA in Art History from Tokyo University of Fine Arts and Music. She currently lives and works in Tokyo.

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Architects onishimaki + hyakudayuk­i, Double Helix House.
↑ Architects onishimaki + hyakudayuk­i, Double Helix House.
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Toyo Ito, White U.
↑ Toyo Ito, White U.

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