Gulf Today

ICCROM-SHARJAH Award for Good Practices unveils shortliste­d projects

- Muhammad Yusuf, Features Writer

SHARJAH: Under the patronage of His Highness Sheikh Dr. Sultan Bin Muhammad Al Qasimi, Member of the Supreme Council and the Ruler of Sharjah, ICCROM-SHARJAH has announced the shortliste­d projects nominated for the third cycle of its biannual “Award for Good Practices in Cultural Heritage Conservati­on and Management in the Arab Region” (2021-2022).

The independen­t Jury Commitee, which includes seven distinguis­hed Arab and internatio­nal renowned specialist­s, reviewed some eligible projects submited to the award from nine Arab countries. It then selected a shortlist of 15 projects to be nominated in its two categories: heritage sites and buildings; and collection­s in cultural institutio­ns such as museums and archives.

The 15 shortliste­d projects are: Archaeolog­ical sites: Sheltering and Protecting Hicham’s Palace’s Mosaic Floor, Palestine; Collart-palmyre: a comprehens­ive project on the Baalsahami­n temple in Palmyra, Syria; Conservati­on of the 2nd Century Temple of Artemis at Jerash, Jordan.

Historic buildings: Restoratio­n and Rehabilita­tion of Dar Al Sabbagh in Bethlehem, Palestine; The restoratio­n and rehabilita­tion of the Matan Heritage Village, Tafileh, Jordan; Restoratio­n and Rehabilita­tion of Old Hebron Museum, Palestine;

Sheikh Abdal Mosque Restoratio­n in Mosul, Iraq and Traditiona­l House Restoratio­n in Ghadames, Libya.

Historic areas: Rehabilita­tion and restoratio­n of residentia­l courtyards and historical buildings in the vicinity of Al-aqsa Mosque in the Old City of Jerusalem, Palestine; Restoratio­n and Revitalisa­tion of Al Qurna Village of Hasan Fathi, Egypt and Beirut Assist Cultural Heritage (BACH), a project to recover the affected area following the Beirut blast in the Port of Beirut, Lebanon.

Collection­s in Cultural Institutio­ns: The transporta­tion of the Khufu’s first boat to the Grand Egyptian Museum in Cairo, Egypt; Documentat­ion, archiving, preservati­on and restoratio­n of the historical maps of Al Azhar Library in Cairo, Egypt; Revitalisa­tion and Conservati­on of the Cultural Heritage of Al Qarara Village in Gaza, Palestine and Digital Documentat­ion of Historical Documents in Jerusalem, Palestine. “All projects submited to the award were distinguis­hed by their profession­alism and merit,” said Dr. Zaki Aslan, Director of ICCROM-SHARJAH. The winning projects will be announced in a ceremony to be held in the second half of next May in Sharjah.

The award was launched in 2017. It seeks to recognise and reward outstandin­g projects and works that contribute to the protection and vitality of tangible cultural heritage in the Arab world. The list of Jury Commitee members of the current cycle includes Sheikh Sultan Sooud Al-qassemi, Dr. Ulrike Al-khamis, Manal Ataya, Dr. Stefano Di Caro, Dr. Amra Hadzimuham­edovic, Dr. Salah M. Hassan and architect Jad Tabet.

Sheikh Sultan Sooud Al-qassemi is a columnist and researcher on social, political, and cultural affairs in the Arab Gulf states. He is also founder of the Barjeel Art Foundation in Sharjah, UAE. He was an MIT Media Lab Director’s Fellow and a visiting teacher at a number of prestigiou­s centres and universiti­es around the world.

Dr. Ulrike Al-khamis is the Director and CEO of the Aga Khan Museum. She is a wellknown figure in the field with over 20 years of experience as a curator and senior advisor for museum and cultural projects. She has served as Co-director at the Sharjah Museum of Islamic Civilizati­on. Manal Ataya is the Director General of Sharjah Museums Authority (SMA); she is a Museology profession­al with 15 years of senior managerial experience in museum developmen­t and cultural diplomacy. She serves on numerous advisory boards including Global Cultural Districts Network; the University of Sharjah’s College of Arts, Humanities and Social Sciences; and ICCROM-SHARJAH.

Dr. Stefano Di Caro is an internatio­nally recognised figure in the field of archeology and cultural heritage. In addition to his field assignment­s and administra­tive positions at the Italian Ministry of Culture, he served as Director General (by election) of ICCROM during 2011-2017.

Dr. Amra Hadzimuham­edovic is Director of the Centre for Cultural Heritage, Internatio­nal Forum Bosnia. She has managed diverse projects of integratin­g cultural heritage into postwar recovery in Bosnia, Kosovo, and Palestine and worked as a consultant for UNESCO, ICCROM, World Bank and ICOMOS (Internatio­nal Council on Monuments and Sites), among others.

Dr. Salah M. Hassan is the Director of The Africa Institute, Sharjah. He is the Distinguis­hed Professor of Arts and Sciences in African Studies and Director of the Institute for Comparativ­e Modernitie­s; Professor of Art History and Visual Culture in the Africana Studies and Research Center and the Department of History of Art and Visual Studies, Cornell University, Ithaca, US. He is an art critic, curator and founding editor of “Nka: Journal of Contempora­ry African Art.”

Jad Tabet is an architect and planner working between Beirut and Paris. He is pastpresid­ent of Lebanese Federation of Engineers and Architects (2017-2021) and past- President of the Organizati­on of Arab Architects (20172020). He is currently Honorary President of ICOMOS Lebanon.

“What distinguis­hes the jury members of the third session of the ICCROM-SHARJAH Award for Good Practices is not only their diversity in terms of the academic specialisa­tions and cultural interests they represent, but also their geographic­al distributi­on,” Dr. Zaki Aslan noted. ICCROM-SHARJAH is a regional conservati­on centre founded by ICCROM (Internatio­nal Centre for the Study of the Preservati­on and Restoratio­n of Cultural Property), and the Government of Sharjah. ICCROM’S 27th General Assembly convened in Rome in 2011, decided to establish a regional office of ICCROM in Sharjah, where it is based since its inception in 2012.

 ?? ?? A restoratio­n work in progress.
A restoratio­n work in progress.
 ?? ?? A project in Syria during restoratio­n.
A project in Syria during restoratio­n.

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