Gulf Today

Contempora­ry Istanbul fair reports strong sales and robust attendance

- M uhammad Yusuf , Features Writer

SHARJAH: Contempora­ry Istanbul (CI) art fair, one of the world’s leading art shows, took place in Tersane Istanbul, the historic Otoman shipyards on the Golden Horn (Sept. 17 – 22). The 2022 fair featured 65 leading galleries and art initiative­s from 22 countries. A total of 1,476 artworks by 558 artists were exhibited at the fair. It atracted an overall atendance of 48,700 during its VIP preview and general admission days. The 17th edition was visited by collectors and museum groups from around the world, including Switzerlan­d, Brazil, Canada, the USA, France, Germany, Russia, and the United Arab Emirates. Major museum collection­s acquired new artworks at the fair. Participat­ing galleries reported buoyant sales, with an overall sales rate of 77 percent. Many works with listed prices from $15,000 – $65,000 sold in the first hours of the fair.

Dirimart said it has sold artworks by Sarkis, Gunyol Ozlem, Inci Eviner, Peter Zimmerman and Summer Wheat, among others. Leila Heller reported selling Naeemeh Kazemi ($40,000 to $50,000). Milak Radenko from the Belgrade gallery Hestia sold for 45,000 euros. Etchings by Joan Miro from Galeria Joan Gaspar ranged from 11,000-12,000 euros.

Pi Artworks saw good sales with works by Kemal Seyhan and Osman Dinc, and Sarah Dwyer. Burosar1ge­dik sold Meric Algun and Gulsun Karamustaf­a, while Pilot Gallery reported sales of Irem Tok, Emir Erkaya, and Ece Ag1rtm1s.

Oktem Aykut reported selling Renee Levi, Aret Gicir, and Murat Yildiz. Ambidexter sold Gaspar Martinez.

Art On successful­ly sold works by their artists, including Greek artists Evgenia Vereli and Malvina Panagiotid­i. Anca Poterasu from

Bucharest sold Dragos Badita. CI also held a reception for the Istanbul-based Consuls General and other diplomats, where the CI Chairperso­n Ali Gureli spoke about the vibrant cultural scene of Istanbul and about how art is transformi­ng the Golden Horn. During the fair, CI partner BMW presented a special edition of the BMW 8 Series Gran Coupe created by Jeff Koons. As part of the collaborat­ion, there was an artist talk between Jeff Koons and Gureli.

The 8 x Jeff Koons is considered the embodiment of precision, refinement, and cratsmansh­ip, with a multi-layer paint taking 285 hours to apply onto each car. A strong line-up of galleries from Europe and the Middle East was joined by galleries from North America, Africa, and Asia. Fourteen galleries participat­ed for the first time. Among them were Fireti Contempora­ry, Opera Gallery and Oblong Contempora­ry Art Gallery from Dubai; 193 Gallery, Paris; Bavan Gallery, Tehran; Bozlu Art Project, Istanbul; JD Malat Gallery, London and Roya Khadjavi Projects, New York.

CI also featured a number of ongoing art initiative­s emerging in different regions of the country, including Are Projects, Antalya; Ekkav Istanbul; Imalat-hane, Bursa; Loading, Diyarbakir and Baksi Museum, Bayburt, among others.the Yard exhibition, which was held in the outer courtyard of Tersane, featured 27 site-specific installati­ons and sculptures by artists such as Anke Eilergerha­rd, Ardan Ozmenoglu, Ayla Turan, Bedri Baykam and Bilal Hakan Karakaya.

Yes! We’re OPEN by Canan Tolon referred to the mercantile label so oten seen posted on storefront­s. Like most of Tolon’s works, it is essentiall­y based on deceptive messaging. Istanbul-born artist Renee Levi recalled that her childhood spent in Istanbul has been a source of notable inspiratio­n. She brought back her large dimensione­d paintings titled Barbra from the Color Field series, which are wide, colourful blocks arranged to complete one another and were once displayed in Museum Langmat, Baden, in 2019.

Martin Creed’s new work in Istanbul was a monument to water. As part of the CIF Dialogues by TAV Passport series, the Contempora­ry Istanbul Foundation (CIF) organised a series of public talks and discussion­s. Moderated by curator Marc Olivier Wahler, the “Testing the Elasticity of the Art Space” panel brought together Federica Bereta, Hou Hanru, Mehmet Even, Melisa Pezuk and Murat Tabanl1ogl­u on September 17.

Speakers discussed the art spaces of today and tomorrow. Also on September 17, CIF Artist

In Residence Program with Tosyal1 Holding, held a talk programme focused on upcycling and sustainabi­lity. On September 18, there was a public talk “Art in Public Space” and “Digital Design: New Horizons for Architectu­re.” This summer, CIF has been running the CIF Artistin-residence programme in collaborat­ion with Tosyali Holding.

Focusing on the theme of upcycling, artists Chiara de Rocchi, Emrullah Orunklu, Koray Tokdemir, Nermin Ulker and Songul Girgin have been working with scrap metal materials. The project is an example of CIF’S efforts to engage major Turkish businesses and motivate them to support the art community. CI’S main partner Akbank presented the exhibition Other Voices, Other Rooms by Clement Valla, curated by Hasan Bulent Kahraman. Pernod Ricard Turkey, a CI partner, presented the sculpturep­erformance Disruption by artist duo ha:ar (Hande Sekerciler and Arda Yalk1n).

As part of Disruption, House of Brothers Lounge also hosted talks about the place of artificial intelligen­ce and technology in the art world, the nature of their relationsh­ip, and the future of art. At LG OLED ART booth, Kim Whanki’s Universe was exhibited as NFT. Artist Guvenc Ozel presented a new project, Spectrum. It utilises cuting-edge optical and simulation technologi­es to embed the audience into digital art forms in real time.

CI partner QUA Granite presented a work by sculptor Gunnur Ozsoy. With its shining motherof-pearl colour and fluid form, the work she created for CI perhaps reminded the audience of a drop of water or stones found in nature.

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Compositio­n for still life with sunflower from JD Malat Gallery, London.
± Compositio­n for still life with sunflower from JD Malat Gallery, London.
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Top: Artwork from Mucciaccia Gallery.
Above: An installati­on floats on the waters.
± Top: Artwork from Mucciaccia Gallery. Above: An installati­on floats on the waters.

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