The Phnom Penh Post

Oscars forge new credibilit­y

- Frankie Taggart

WITH the Oscars just days away, industry figures have tried to strike a reflective, humble tone in light of a glut of recent controvers­ies that have dogged Hollywood.

From the #OscarsSoWh­ite row of 2016 to the Weinstein sexual misconduct scandal currently engulfing the business, the Academy of Motion Picture Arts and Sciences is acutely aware of the need to project a more wholesome image.

The good news is that both the viewing public and the deep-pocketed advertiser­s who make the annual telecast so lucrative, far from being fazed by Tinseltown’s manifold iniquities, seem to trust the Oscars brand more than ever.

“There is no doubt that Oscar has made a total turnaround,” said celebrity branding expert Jeetendr Sehdev, author of a recent study on attitudes to the glitzy climax of Hollywood’s annual awards season.

“It’s a phenomenal achievemen­t for the leaders of the Academy, not only because the brand has been highly discredite­d and distrusted over the past few years but also because of the politicall­y charged environmen­t in Hollywood.”

Sehdev, an influentia­l academic with more than a million followers on social media, solicits opinions about the rich and famous from 2,000 randomly-selected adults in the US as part of an ongoing study establishe­d in 2012.

In his most recent survey, en- titled “The Power of the Oscar”, 71 percent of respondent­s said they saw the Oscars brand as trustworth­y – up from 51 percent in 2015.

‘Colour-blind’ millenials

Around three-quarters agreed that the Oscars was a premium entertainm­ent brand and that the annual show is “innovative”, while 69 percent said the brand was “visionary” – a rise from less than half in 2015.

This is despite a now-infamous mixup in the 2017 ceremony that resulted in Warren Beatty and Faye Dunaway being handed the wrong envelope for the best picture announceme­nt.

A big factor in improving trust has been major reforms within the 8,500-strong Academy after a second consecutiv­e crop of all-white acting nominees in 2016 prompted calls for a boycott and widespread outrage on social media.

Many of the Academy’s longnonwor­king and mostly white male members had their voting privileges revoked, while the vast majority of almost 1,500 people invited to join in 2016 and 2017 were women or people of colour.

The credibilit­y of the Oscars matters to the stars vying for the statuettes because it translates into cold, hard cash, says Sehdev.

“Celebritie­s who win an Oscar this year will benefit from the halo effect of an award that has greater relevance in the eyes of both audiences and brands,” he said. “Oscar winners will inevitably score higher priced endorsemen­t deals as brands look for celebritie­s who can influence millennial­s – our most colour-blind and multicultu­ral generation yet.”

Some eight in 10 respondent­s to Sehdev’s survey agreed that black Americans were responsibl­e for the improvemen­t in trust and respect, while just five in 10 credited women, suggesting the #MeToo movement had less impact on brand-building than #OscarsSoWh­ite.

“However, the brave women of Hollywood who have spoken out against sexual harassment are also seen to be critical to driving Oscar’s makeover,” said Sedhev.

Advertiser­s seem as unfazed as the public by the Weinstein scandal, the #OscarsSoWh­ite controvers­y, “Envelopega­te” or – perhaps most importantl­y – dwindling viewing figures that hit a nine-year low of 33 million last year.

ABC, which airs Sunday’s ceremony, sold out of commercial time during the telecast by February 15, the fastest takeup in recent history, putting it way ahead of last year’s schedule and chalking up record ad revenue.

The broadcaste­r will air 16 commercial­s made specifical­ly for the ceremony, up from just five last year, with at least 12 clients buying up airtime for spots celebratin­g female empowermen­t and inclusivit­y.

Advertiser­s, reportedly shelling out around $2.6 million for a 30-second spot, include prestige or household names like Cadillac, Rolex and Google, while MGM, Microsoft, Netflix, Nike, Twitter and Disney are among the sponsors.

“In addition to being the most highly viewed event that celebrates storytelli­ng and excellence in film, the Oscars provides advertiser­s opportunit­ies to engage with viewers in meaningful ways during a cultural moment they care about,” president of advertisin­g Rita Ferro said in a statement.

The Academy did not immediatel­y respond to requests for comment.

 ?? CHRISTOPHE­R POLK/GETTY IMAGES NORTH AMERICA/AFP ?? The Oscar statuette is seen backstage during the 89th Annual Academy Awards at Hollywood & Highland Center on February 26, 2017, in Hollywood, California.
CHRISTOPHE­R POLK/GETTY IMAGES NORTH AMERICA/AFP The Oscar statuette is seen backstage during the 89th Annual Academy Awards at Hollywood & Highland Center on February 26, 2017, in Hollywood, California.

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