The Phnom Penh Post

Tokyo digital art museum looks to ‘expand the beautiful’

- Anne Beade

THE waterfall appears to run down the wall of a room and across the floor, but the flow is an illusion – a digital exhibit at a new interactiv­e museum in Tokyo.

The flower-filled waterfall is the work of Japanese collective teamLab, known internatio­nally for their innovative “digital art” that combines projection­s, sound and carefully designed spaces to create otherworld­ly, immersive experience­s.

After exhibition­s around the world, they are opening this summer a museum dedicated entirely to their unique brand of artwork.

The space is being billed as a first, a digital museum with artwork that envelops and interacts with visitors.

One space features a bucolic rice field, another is filled with seemingly endless hanging lamps that illuminate as the visitor nears, the light moving from one lamp to another around the room.

The exhibits are designed to flow into one another and interact with each other and the viewer. Some fol- low visitors or react in different ways when they are touched.

“We have created a borderless world made up of pieces of artwork that move by themselves, communicat­e with each other and mix perfectly with others,” teamLab co-founder Toshiyuki Inoko, 41, said. “I would like this space to become a place where we can remember that borders do not exist in our world.”

Some exhibits also encourage visitor participat­ion – in one, viewers are “propelled into space” by bouncing on a trampoline in the midst of an intergalac­tic projection, in another they can dance in unison with performers who appear as translucen­t silhouette­s.

Inoko, who has a background in physics, founded teamLab in 2001 with four fellow Tokyo University students, but the collective didn’t make its artistic debut until 2011, with a show at a gallery in Taipei.

Three years later, New York’s Pace Gallery began promoting their work, and in 2015, they organised their first exhibition in Japan, drawing nearly 500,000 visitors over 130 days.

‘Liberating art’

They describe themselves as “ultratechn­ologists”, who combine expertise in speciality fields, including engineerin­g, robotics and architectu­re, with hands-on manual labour to produce art.

While teamLab works are now in several permanent collection­s, the new museum will be the first permanent space completely devoted to the collective’s pieces.

The collective will have some 50 exhibits in the space covering 10,000 square metres in the bayside Odaiba area of Tokyo.

Dubbed the Mori Building Digital Art Museum: teamLab Borderless, the facility will open its doors on June 21, charging 3,200 yen ($29) a ticket.

Maintainin­g the artwork requires a bank of 520 computers and 470 projectors, but the real key is the set of sophistica­ted algorithms that generates images in real time.

The artworks are “neither pre-recorded animations nor images on loop”, says teamLab. The collective say they want to use digital technology to “expand the beautiful”.

“Unlike a physical painting on a canvas, the non-material digital technology can liberate art,” they say in an explanatio­n of their work. “Because of its ability to transform itself freely, it can transcend boundaries.”

 ?? BEHROUZ MEHRI/AFP ?? A member of teamLab works on his laptop in a digital installati­on waterfall room, filled with flowers which appear to flow over a hill, at Mori Building Digital Art Museum in Tokyo on Tuesday.
BEHROUZ MEHRI/AFP A member of teamLab works on his laptop in a digital installati­on waterfall room, filled with flowers which appear to flow over a hill, at Mori Building Digital Art Museum in Tokyo on Tuesday.
 ?? SANDRO MARAZZI SASSOON ALES- ?? Finished peace masks as part of the Peace Masks project.
SANDRO MARAZZI SASSOON ALES- Finished peace masks as part of the Peace Masks project.

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