Selfies and the self: What they say about us and society
THE selfie craze speaks volumes about the era in which we live: how images race around the globe and can dominate public discourse, eliciting strong emotions and even blurring the lines of reality.
Sometimes, that can be a very toxic mix, experts say.
“We are truly in the age of the picture, of the fleeting image,” said psychoanalyst, essayist and philosophy professor Elsa Godart.
“The self ie marks t he arriva l of a new sort of la nguage that plays on the way we see ourselves, on our emotions.”
Selfies are everywhere you look on social media.
Instagram, Snapchat, Facebook and Twitter are flooded with the knowing poses: a teenager with her kitten, a Chinese man in front of the Eiffel Tower, newlyweds at Disneyland, a fan with a movie star.
Selfies “put us in touch with a lot more people,” said Brazilian psychoanalyst Christian Dunker.
For Pauline Escande-Gauquie, an expert in the study of signs or sy mbols, “t he goal is above all to create or strengthen one’s links wit h a particula r communit y – wit h your fa ns i f you’re a celebr it y, or wit h ever yday citizens if you are a polit icia n.”
The selfie is designed to create a heightened memory of a n e x p e r i e n c e : u s u a l l y snapped from above, at f lattering angles, with an interest i ng backg rou nd, sel f ies allow the total control of one’s image.
Selfie-takers often put themselves at the center of all things.
“It is not a narcissistic problem, because narcissism is very positive, but a problem of ego, and overvaluation of the self,” said Godart, author of I Take Selfies, Therefore I Am.
That overvaluation craves as many “likes” as possible – and can betray a self-centered meme-me mentality.
Spectacular selfies allow a person to show off their best side because they are often staged in phenomenal settings.
Russia’s A ngela Nicolau – t he queen of urba n climbing – is k nown for her r isk y sel fies at di z z y ing heig hts – atop t he Sag rada Fa milia in Barcelona, or t he ver t igo-inducing Shanghai Tower.
For Godart, “this is high-risk behaviour and gives the feeling of flirting with death”.
At the other end of the spectrum is the selfie that actually devalues the person taking it – a trend seducing more and more people, most of them young and scornful of societal ideals about beauty.
Some of these people have started “chinning” – taking unflattering shots of themselves from below, creating double chins.
Even deeply depressed people are part of the selfie phenomenon, “which allows them to exist too”, said Godart.
There is also a growing trend of photobombing other people’s selfies – sabotaging their message without them knowing.
Selfies are also a tool for activists – environmentalists posting ‘before’ and ‘after’ pictures of beaches for clean-up campaigns or supporters of breastfeeding posing with a suckling infant.
“It’s very intimate but there is a real message behind it,” said Escande-Gauquie.
More edgy are the “beautifulagony” selfies on flickr, which show the faces of people masturbating.
“It is by being seen by another that they will finish masturbating. One makes love by a look, with the screen in between,” said Godart.
Selfies snapped near the remains of relatives can challenge the concept of death – it’s “a way of making a person who is no longer with us live again”, said Godart.
“In the virtual world, there is no death.”
Selfie addiction
In the end, selfies can become a powerful – and dangerous – addiction.
“Just like with any other phenomenon, there are excesses,” said Escande-Gauquie, author of Everyone selfie! “For some people, it can become compulsive, developing into a dependence on being seen by others.”
“If not dealt wit h in a playf u l manner, it ca n become something of a disease . . . an identit y dissonance t hat can be dangerous, especia lly for teenagers.”