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ON THE RIVERFRONT

To bring a former industrial site along the St. Lawrence back to life, Montreal architect Paul Laurendeau crafted an amphitheat­re that stands out from every angle

- Text by David Theodore Photograph­y by Adrien Williams

In Trois-rivières, Quebec, architect Paul Laurendeau builds an amphitheat­re to reanimate a riverside site By David Theodore

The best view of the Cogeco Amphitheat­re in Trois-rivières, Quebec, is from across the St. Lawrence River. Its immense, 80by-90-metre, thin-edged roof flies over a concrete-and-glass stage house, anchored by only eight thin columns. At night it looks as if a glamorous premiere is underway: artificial light theatrical­ly rakes the underside of the roof, and the river glistens like a mirror, doubling the building ’s image in the water.

Like many post-industrial cities, Trois-rivières has put its faith in culture and entertainm­ent to revive its waterfront. The amphitheat­re dominates a shoreline that only 20 years ago was studded with the cranes and smokestack­s of a pulp and paper mill. The artistic programmin­g is a crucial part of this plan – this past summer’s lineup featured Cirque du Soleil, Styx, and a bilingual Québecois version of Grease – but the main draw is the iconic building. It serves the Trifluvian­s, as the locals are known, as both a landmark and a symbol of the city’s transforma­tion.

It is also the most ambitious project yet of Montreal architect Paul Laurendeau, who in 2011 won the commission through an open and anonymous competitio­n. Architects often decry Quebec’s spasmodic competitio­n system, but when it works, it brings new voices to the fore. At the time Laurendeau only had one public building to his name, a 491-seat theatre in Dolbeau-mistassini, a northern town known for its blueberry festival. “Sometimes

competitio­ns pre-select architects on the basis of qualificat­ions,” he notes. “I wouldn’t have qualified for a project of this size, but the jury chose my design.”

The open-air venue celebrates all things theatrical. “It’s not a copy-paste building,” he says. “There’s a clarity and detail for every little nook and cranny, even backstage.” Visually, the bloodred galvanized steel panels on the underside of the roof conjure up the glitz of velvet house curtains. Laurendeau also expanded the seating’s rack to ensure greater stage visibly and improved sightlines. The space accommodat­es close to 9,000 people: 3,116 in red chairs; another 5,177 on a sloped lawn, and 695 more in an optional mosh pit. In the winter months, the stage house is closed off with giant steel-and-glass doors and used as a cabaret. “It’s a crafted building,” adds Laurendeau. “We didn’t just choose the cladding and do the foyer, as theatre architects sometimes do.”

In addition to working with a bevy of structural and acoustic engineers, Laurendeau collaborat­ed with other strong creative firms. Bureau Principal provided graphics and wayfinding signs that add a sans-serif forthright­ness to the palette of black paint and grey concrete. Architect and urbanist Peter Soland of Civiliti designed the esplanade along the water’s edge. The new park is especially popular with the Trifluvian­s, who use it for biking and jogging even if they don’t go to shows. Soland also collaborat­ed on the oversize wooden letters that spell out “Trois-rivières” on the riverside. In a nod to the region’s forestry industry, the six-metrehigh, 20-centimetre-thick letters are made of spruce, but, ironically, they were fabricated in Austria and shipped by boat to Canada.

Laurendeau says that the building, although opened in 2015, is still not quite finished. He convinced the city that some temporary rain screens it installed were too high maintanenc­e, so now he has the commission to design permanent ones. The locals have adopted the grosses lettres as branding in the spirit of the famous Hollywood sign. But outsiders are interested, too. The site is already a popular spot for a tourist selfie shot and as a venue for corporate events. This investment in iconic architectu­re has successful­ly put Trois-rivières in the spotlight. paullauren­deau.com 100 Avenue des Draveurs, Troisriviè­res, Quebec

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 ??  ?? Located on a site where two rivers meet, the amphitheat­re has no single front facade. Eight slender steel columns, each 26 metres high, give the roof its stately, open appearance.
Located on a site where two rivers meet, the amphitheat­re has no single front facade. Eight slender steel columns, each 26 metres high, give the roof its stately, open appearance.
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 ??  ?? ↑ To make the galvanized steel roof appear as thin as possible, the edges taper to a mere 6.4 millimetre­s. At its centre, the roof is six metres thick. Bold exterior lettering by Peter Soland.
→ The theatre is equipped to handle live concerts and more...
↑ To make the galvanized steel roof appear as thin as possible, the edges taper to a mere 6.4 millimetre­s. At its centre, the roof is six metres thick. Bold exterior lettering by Peter Soland. → The theatre is equipped to handle live concerts and more...
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