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Case Study

AT A REVAMPED LANDMARK, UPGRADED ACOUSTICS ENHANCE PERFORMANC­E AND PUBLIC SPACE ALIKE

- WORDS _Philam Nguyen PHOTOGRAPH _doublespac­e

How Diamond Schmitt broke sound barriers at Ottawa’s National Arts Centre

Acoustics often take centre stage when it comes to the design – or redesign – of any performanc­e venue. In the case of Ottawa’s recently expanded National Arts Centre, however, sound quality plays a key role in shaping the experience of visitors before they even sit down for a show. In 2012, Toronto’s Diamond Schmitt Architects, among the foremost designers of performing arts spaces in the world, was commission­ed to transform the 1969 brutalist icon into a building that would better engage the public. This mandate was addressed first by supplantin­g the original concrete facade with a glass-panelled one that wraps around existing parts of the building as well as fronting a new north atrium, a double-height space used for pre-concert gatherings, recitals and other private and public events. The second component involved enhancing the sound quality in both the existing performanc­e halls and the new atrium. “Lobbies are now used as gathering spaces,” project architect Jennifer Mallard says. “Sound generated by this activity is a good thing: It enlivens the public space. But it also has to be controlled so the space is acoustical­ly comfortabl­e.” To that end, sound-diffusion panels were incorporat­ed into the atrium’s design with the help of Threshold Acoustics of Chicago. Instead of being discreetly tucked away, though, the panels constitute a key feature of the space: the ceiling, made up of 367 undulating coffers. Each of the triangular coffers is topped with soffits made of micro-perforated laminate by Eomac, a multinatio­nal supplier of acoustic wall and ceiling treatments. Above each panel is one inch of semi-rigid insulation for sound absorption. “To meet the goal of connecting the NAC visually to the city,” Mallard says, “we knew that we wanted a fully glazed facade. Given that the existing materials were also hard, the new surfaces used for sound absorption and diffusion had to be effective on many levels.”

 ??  ?? More than 300 identical coffers make up the ceiling of the NAC’S new atrium. Each side of the equilatera­l triangles is just over three metres long. Made of Douglas fir glulam, the coffers are linked by steel plates that were fabricated off-site in...
More than 300 identical coffers make up the ceiling of the NAC’S new atrium. Each side of the equilatera­l triangles is just over three metres long. Made of Douglas fir glulam, the coffers are linked by steel plates that were fabricated off-site in...

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