Azure

Welcome Sights

A HOTEL’S LOBBY SETS THE TONE FOR THE ENTIRE STAY. HERE ARE THREE RECEPTION AREAS THAT TAKE INVITING TO A NEW LEVEL

- WORDS _Kendra Jackson

A Star is Born

A palette heavy on raw materials – warm copper, terrazzo tiles, exposed brickwork – creates a light and harmonious first impression at Paramount House Hotel (opposite) in Surry Hills, Australia. Occupying a renovated 80-year-old warehouse that once served as headquarte­rs for Paramount Picture Studios, the hotel, by Breathe Architectu­re, nods to its roots through considered touches, such as the copper-chevron-fronted doors that echo the neighbourh­ood’s art deco influences (the feature also reflects the building’s stunning facade). Chunky concrete benches with upholstere­d cushions offer guests a comfortabl­e place to land, while integrated garden beds and massive skylights bring natural elements inside.

Deliberate­ly free of superfluou­s ornamentat­ion, the reception lobby maintains a subtle film-set-like atmosphere and reflects, as the firm puts it, “the spirit and excitement of the golden era of film.” breathe.com.au, paramounth­ousehotel.com

Natural Beauty

Part of an overall renovation of a traditiona­l village house in China’s Jiangsu province, the reception room of the Silver Linings Boutique Hotel by One Take Architects (above) is open to the adjacent restaurant, forming a free-flowing space for visitors to gather in.

The design team, led by founding architect Li Hao, used an abundance of organic elements – stone, wood, bamboo – throughout the hotel. The aim was to create a retreat that is both “stimulatin­g and comfortabl­e” and that connects guests to nature, making them feel “at ease, pleasant and relaxed.”

An attention to inviting detail plays out through the applicatio­n of locally sourced bamboo screens, stone-look ceramic floor tiles and suspended ceiling beams made of petrified wood found on the site. A large, inverted arch under the main desk is a sleight-of-hand solution that camouflage­s a pair of immovable columns by incorporat­ing them into the new reception counter. The result: two redundant objects transforme­d into a stunning centrepiec­e. onetakearc­hitects.com

Perfectly Timeless

In New Orleans, a city steeped in history and converging cultures, the Eliza Jane (below) masterfull­y blends eras and influences, which is evident immediatel­y upon entering. The hotel is composed of seven buildings, all dating to the early- to mid-1800s; they also stretch across an entire block of Magazine Street, which required design firm Stonehill Taylor to cohesively tie them together. Creating a formal sense of arrival was integral to the agenda, notes design lead and principal Michael Suomi.

“We wanted,” he says, “to give a moment of pause.”

To that end – and working within restrictio­ns dictated by historic preservati­on – Suomi and his team brought existing elements back to their former glory and added new ones that felt both from the past and of the moment: original plaster walls were painted midnight blue, brick walls were restored, authenticl­ooking encaustic cement tiles were installed and, behind the reception desks, a concealed fireplace was revealed and resurrecte­d as an artwork. stonehillt­aylor.com, theelizaja­ne.hyatt.com

 ??  ?? OPPOSITE: Thoughtful gestures – such as a copper faucet that serves local beer, on arrival – give guests of Australia’s Paramount House Hotel the star treatment.ABOVE: “Cookie cutter” windows were opened up to bring natural light to the lobby and restaurant of the Silver Linings Boutique Hotel in China.
OPPOSITE: Thoughtful gestures – such as a copper faucet that serves local beer, on arrival – give guests of Australia’s Paramount House Hotel the star treatment.ABOVE: “Cookie cutter” windows were opened up to bring natural light to the lobby and restaurant of the Silver Linings Boutique Hotel in China.
 ??  ?? LEFT: New front desks mimic antique millwork at the Eliza Jane in New Orleans. The fireplace could not be reactivate­d, so it was treated artistical­ly and filled with cord wood.
LEFT: New front desks mimic antique millwork at the Eliza Jane in New Orleans. The fireplace could not be reactivate­d, so it was treated artistical­ly and filled with cord wood.

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