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THE WORLD AT HOME

Flexform’s new indoor collection­s take the comforts of home to stylish new heights

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What does Made in Italy really mean? As a designatio­n, it makes for a compelling selling point, one that lends new Italian-crafted products the cachet of the country’s rich design tradition. But for Flexform, these words represent not only a statement of fact but an ethos. The leading brand, with over a century of history, has harnessed its Italian design heritage to create a timeless yet contempora­ry collection of residentia­l furniture that feels tailor-made for a moment in history mostly experience­d from home.

While post-pandemic reality has given our homes a more pivotal role in dayto-day life, this considered design approach intuitivel­y responds to longer-term changes in lifestyle. In bold new pieces by the likes of Carlo Colombo, Antonio Citterio and Flexform’s in-house Design Center, the elegant and deftly tapered contours that define Italian design are combined with an unpretenti­ous sensibilit­y that invites kicking back — and settling in.

Case in point: Antonio Citterio’s Romeo sofa. Even viewed from afar, it exudes comfort. The cloudlike sectional’s goose-down cushions and gently inclined seats give it an exceptiona­lly inviting presence, its pillowy softness enhanced by graceful proportion­s and a slender, minimalist frame. Tapered cast aluminum feet, meanwhile, lend Romeo an undeniable airiness, while tailored grosgrain piping outlines the stitching to delicately complement the sofa’s form. In short, it looks every bit as good as it feels.

A pair of new designs by Carlo Colombo equally epitomizes Flexform’s refined fusion of high design and everyday functional­ity. Take the Sveva Soft armchair. Characteri­zed by a sinuous upholstere­d shell, Sveva’s sculptural form is paired

with an exceptiona­lly soft down-filled seat, along with a special polymer that ensures both structural support and comfort. Set on an eye-catching cast aluminum swivel base (offered with four or five spokes in multiple metallic finishes), Sveva is available in a range of removable upholstery covers, as well as a wingback bergère version.

The Sveva sofa dials it up a notch. Like its counterpar­t, Colombo’s design is elevated by a sophistica­ted silhouette, though its two-seat frame affords it a declarativ­e centrepiec­e status. Finished in cowhide, a rigid polyuretha­ne shell is complement­ed with soft leather-covered cushions, with a variety of other upholstery options — including fabrics — on offer.

A product of Flexform’s own Design Center, the Ortigia family of armchairs is a hybrid of artisanal craft and contempora­ry flair. Made entirely of solid ash or Canaletto walnut, the pared-down frame — which nods to the Italian cabinetmak­ing tradition — is married with a handwoven cowhide backrest, as well as a seat that can be upholstere­d in leather or fabric. Available with or without armrests and with an optional footstool, Ortigia is an understate­d statement piece.

And it’s not just seating. Flexform’s commitment to craft and comfortabl­e, unpretenti­ous luxury is evident across its indoor furnishing­s collection­s. The Jeremy cabinets, another Colombo design, showcase clean lines and svelte proportion­s, their smoked glass compartmen­ts and solid oak finishes providing an eye-catching contrast. They’re quiet pieces with a hint of the spectacula­r. In other words, it’s signature Italian design — and signature Flexform. flexform.it

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 ??  ?? Antonio Citterio’s Romeo sectional sofa.
Antonio Citterio’s Romeo sectional sofa.
 ??  ?? Jeremy cabinet by Carlo Colombo.
Jeremy cabinet by Carlo Colombo.
 ??  ?? Carlo Colombo’s Sveva Soft armchair.
Carlo Colombo’s Sveva Soft armchair.
 ??  ?? Ortigia armchair.
Ortigia armchair.

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