THRILLER EXPLORES VATICAN CULTURE
Fast-paced mystery novel ultimately about faith in God and in family
The curator of an exhibit at the Vatican dies mysteriously hours before its première. Within hours, his research partner’s family becomes victim to a home invasion.
The second novel from Ian Caldwell, co-author of the bestselling The Rule of Four, doesn’t slow down. Caldwell’s skill is evident in his ability to weave detailed descriptions of Biblical scripture, Catholic history and Vatican geography into the story while keeping the action going.
He has a lot of material to work with, having spent a decade on his followup to The Rule of Four. Co-written with Caldwell’s child- hood friend Dustin Thomason, the murder mystery set at Princeton spent nearly a year on The New York Times bestseller list.
Caldwell thanks Thomason in his acknowledgments, noting that even before their novel was published, the two spent a week in Greece doing research.
Caldwell’s new novel is set in the waning years of the papacy of John Paul II. The protagonist is Father Alex Andreou, a Greek Catholic priest who lives inside the Vatican with his five-year-old son and who has been helping research the upcoming exhibit. The suspect in the curator’s death is Andreou’s brother, Simon, a Roman Catholic priest rising rapidly through the Vati- can’s diplomatic ranks.
Unlike the Roman Catholic priests with whom they serve, Greek Catholic priests can marry and have families. A relatively small group, they are a rem- nant of the 1,000-year-old split between the Roman Catholic and Eastern Orthodox churches.
As Alex Andreou works to clear his brother of their friend’s murder, he learns that information crucial to bringing the churches together — or keeping them apart — could lie in a fifth gospel the curator discovered in the bowels of the Vatican library. The question is: Who would kill to keep it secret?
Andreou must retrace Catholic history and unravel convoluted scripture to solve the mystery. But Caldwell’s novel is more than a religious dissertation. He has created memorable characters with complex relationships, deep love and long-standing hurts.
Ultimately, Caldwell’s novel is about faith — in God and in family. It ends as every Christian story does, with an act of forgiveness.