Calgary Herald

‘One of the rarest things on the planet’

SIX DECADES AFTER IT SOLD FOR $125, LOST DA VINCI WORK NETS $450 MILLION

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Leonardo da Vinci’s painting, Salvator Mundi or Saviour of the World, sold for US$450,312,500 Wednesday at auction, making it “the most expensive painting ever sold at auction,” according to Christie’s auction house.

THE ART

Salvator Mundi is one of some 16 known surviving paintings — including the Mona Lisa — by da Vinci, the master of the Italian Renaissanc­e. The others are scattered throughout the world’s museums.

Billed by the auction house as “The Last da Vinci,” the painting spent centuries in obscurity until it was rediscover­ed in 2005 and underwent a six-year restoratio­n and verificati­on process. The small piece depicts Jesus raising his right hand in blessing and holding a crystal orb, meant to represent the world, in his left. Da Vinci painted it in the early 1500s, and it quickly inspired a number of imitations. Over the years, art historians have identified about 20 of these copies, but the original long seemed lost to history.

THE AUCTION

The bidding, coordinate­d out of Christie’s New York office, lasted less than 20 minutes, from the price guaranteed by Christie’s of $100 million to about $330 million before long pauses set in, as bidders dropped out. At about $370 million there appeared to be two remaining bidders on lines, each represente­d by Christie’s specialist­s, Francis de Poortere and Alex Rotter. “Back to Francis’ clients at $370 million,” said Jussi Pylkkänen, as the room grew quiet. Then came $400 million bid “Francis is out,” said Pylkkänen. He then turned to Rotter. “It is with Alex Rotter at $400 ... and the piece is sold,” said the auctioneer, to great applause. With the buyer’s premium, an extra fee tacked on by auction houses, the final tally came to $450,312,500. The identity of the winning bidder is not known.

THE OLD OWNERS

At one point, the painting was part of the royal collection of King Charles I of England. It disappeare­d in 1763 for nearly a century and a half. In 1900, Sir Charles Robinson purchased the painting for the Cook Collection in London. But by then, it was no longer credited to da Vinci but to his follower, Bernardino Luini.

In 1958, the collection was auctioned off in pieces, with Salvator Mundi going for a mere £45, which translates to about $125 today, CNN reported.

Then it dropped off the grid for 50 years until resurfacin­g in Louisiana in 2005. There, for $10,000, New Yorkbased art collector and da Vinci expert Robert Simon and art dealer Alexander Parish found and bought it. After six years of restoratio­n and investigat­ions, the painting was declared a genuine Leonardo, and was sold to Dmitry Rybolovlev, a Russian businessma­n for $127.5 million in a private sale that is the subject of a lawsuit.

THE DOUBT

For decades Salvator Mundi has been the subject of debate about whether or not it was truly painted by da Vinci.

Experts discussed whether the orb held in Christ’s left hand offered proof that the painting was not the work of the artist. They said the passage of light through the orb should warp the robes behind, especially given Leonardo’s skill at depicting light and perspectiv­e.

Michael Daley, the director of ArtWatch UK, has claimed that the painting is too “deadpan flat, like an icon, with no real depth in the modelling.” He has also claimed that a later engraving, by Wenceslaus Hollar, a 17th-century etcher, which was based on the original, did show a distortion, suggesting that this version is not the same one he worked from. However, Christie’s disputes this and says the two works match. Walter Isaacson, Leonardo’s biographer, concluded that the painting is genuine and the artist was using the technique deliberate­ly to “impart a miraculous quality.”

THE PROOF

One of the key pieces of evidence was found via Xray, which revealed what’s called a pentimento, a trace of an earlier painting beneath the visible one. It showed that Jesus’ right thumb was originally positioned differentl­y. But while working on the piece, da Vinci must have changed his mind and painted over it — the thumb was moved to the position in which it appears today.

“If you’re making a copy of a picture, there’s no way you’d do that,” British art critic Alastair Sooke said in a video for Christie’s. “It wouldn’t make any sense.”

That’s especially true when considerin­g that “in all the copies of the painting, (the finger) follows the finished position,” as Simon told National Geographic.

There were other clues as well, History.com reported. It was painted on walnut in “many very thin layers of almost translucen­t paint,” like other da Vinci pieces from the era. Infrared light showed that the painter pressed his palm into the wet paint above Jesus’ left eye to smudge the colours, a technique da Vinci favoured called sfumato blurring.

In 2011, the art community reached a consensus: This was a bona fide da Vinci. “It’s the most unimaginab­le discovery of the last 50 years,” London-based art dealer Charles Beddington told the New York Times. “A painting by Leonardo is one of the rarest things on the planet. You can’t imagine it’s ever going to happen again.”

THE RECORD

The previous record for the most expensive painting sold at auction was $179,364,992 for Picasso’s Les Femmes d’Alger (Women of Algiers), according to Christie’s. The highest price previously paid at auction for a da Vinci was in 2001 for his Horse and Rider, a work on paper, which went for $11,481,865.

 ?? TOLGA AKMEN / AFP / GETTY IMAGES ?? Christie’s employees pose in front of a painting entitled Salvator Mundi by Italian artist Leonardo da Vinci at Christie’s auction house in central London in October. It sold on Wednesday for more than US$450 million, a new record for a painting at...
TOLGA AKMEN / AFP / GETTY IMAGES Christie’s employees pose in front of a painting entitled Salvator Mundi by Italian artist Leonardo da Vinci at Christie’s auction house in central London in October. It sold on Wednesday for more than US$450 million, a new record for a painting at...

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