Calgary Herald

Metamorpho­ses a good training ground for emerging actors

- LOUIS B. HOBSON

Directing the University of Calgary’s School of Creative and Performing Arts’ production of Mary Zimmerman’s Metamorpho­ses is hardly a change of heart for actor, director and theatre administra­tor Haysam Kadri.

In his own words, Kadri’s heart has long been invested in teaching and working with aspiring actors and student actors.

He has taught and directed at Mount Royal University and is one of the guiding forces behind Theatre Calgary’s Shakespear­e by the Bow summer theatre. He says he always uses emerging artists in his production­s for The Shakespear­e Company, where he is a co-artistic director.

“Working with young, emerging artists is exhilarati­ng. They are so hungry and I am always in awe of their enthusiasm, energy and impulsiven­ess. It’s pure gold for a director,” says Kadri, who admits “that hunger for risk that these young people have sadly goes away in time. I know I was way more adventurou­s when I was at university.”

Kadri says he jumps at opportunit­ies to guest direct at universiti­es and colleges as he did with Metamorpho­ses, as his own years in drama classes served as the springboar­d that vaulted him into profession­al theatre.

In Metamorpho­ses, Kadri is directing 19 actors.

“Not every one … is necessaril­y eyeing a career in the arts, but that doesn’t make them any less excited and committed,” he says.

“They are all rising to a very demanding challenge this play presents, but I think that is because they know there is no greater high for an actor at any level than performing for an audience.”

Zimmerman wrote and directed an early draft of Metamorpho­ses in 1996 for Northweste­rn University. It opened off-Broadway in 2001 and transferre­d to Broadway the following year.

The play is inspired by Ovid’s epic poem of the same name. It uses 11 scenes to tell some of the most famous Greek and Roman myths, including those of King Midas, Orpheus and Eurydice, Narcissus, and Apollo, Eros and Psyche. It also calls for a pool of water wide and deep enough to submerge in.

“The large cast and that pool are just two of the reasons I’ve wanted to direct this play for years now,” Kadri says. “These are the kind of restrictio­ns that prevent Metamorpho­ses from being staged by profession­al regional theatres.”

Kadri says directing Metamorpho­ses is a natural progressio­n for him from directing Shakespear­e. Having extraordin­ary characters finding themselves in extraordin­ary circumstan­ces is the very thing that drew Shakespear­e to Greek and Roman storytelli­ng.

“Another reason I’m fascinated by this play,” he says, “is that it is a great exploratio­n of the human condition, which has always been a mainstay of classical theatre, but to find it in a modern play is far too rare.”

The large cast and that pool (of water) are just two of the reasons I’ve wanted to direct this play for years now.

 ?? UNIVERSITY OF CALGARY ?? Marissa Roggeveen and Alvan Le star as Psyche and Eros in the University of Calgary’s production of Metamorpho­ses, which runs until Dec. 2.
UNIVERSITY OF CALGARY Marissa Roggeveen and Alvan Le star as Psyche and Eros in the University of Calgary’s production of Metamorpho­ses, which runs until Dec. 2.

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