A kid show for adults
Mister Rogers would have found a lot to like about Carrey’s latest effort
Stick with Kidding for a while anyhow, because its empathy for its main character is no mere folly.
Kidding
Debuts Sunday, Showtime
It took Mister Rogers, the beloved PBS children’s show host who died in 2003, many more years to posthumously break free of the condescending jokes and weird rumours about his true nature. As the hit documentary film Won’t You Be My Neighbor? made clear this summer, there was no big mystery behind Mister Rogers — his goodness was the real deal.
That’s not entirely great news for Showtime’s new dramedy Kidding, a melancholy and strangely fascinating character study starring Jim Carrey as Jeff Pickles, the Mister Rogers-esque star of a long-running, Ohio-based educational TV show called Mr. Pickles’ Puppet Time.
Even though Kidding ’s creator Dave Holstein (I’m Dying Up Here; The Brink) and producer-director Michel Gondry (Eternal Sunshine of the Spotless Mind) have said their show is not intended as a cheap comic exercise in imagining Mister Rogers having a nervous breakdown and a darker private life, there are too many initial similarities to completely dodge: Mr. Pickles’ journeys each episode to an all-puppet realm; he sings clever songs and delivers messages about expressing our emotions (“I like the part of you that you don’t like — and you should, too”); his fans light up whenever he walks into a room.
For some of us, anything that smacks of edgy — even dirty — satire where Mister Rogers is concerned can kindly show itself out. But stick with Kidding for a while anyhow, because its empathy for its main character is no mere folly, and the performances — especially Carrey ’s — subtly push the material toward an achingly valid exploration of the human side of hero-worship.
We meet Mr. Pickles at a personal nadir, enduring a forcibly cheerful appearance on Conan O’Brien’s talk show, where much is made of his innocent nature. Mr. Pickles’s outside friendliness masks the fact that, as Jeff, he’s still deeply grieving the death of his adolescent son, Phil, who was killed in a car crash a year earlier. Now separated from his wife Jill (Judy Greer) and struggling to relate to his other son (Phil’s twin brother, Will, both played by Cole Allen), Jeff is barely holding on.
Frank Langella co-stars as Seb, Jeff ’s executive producer, whose worry for his star’s state of mind is more of a concern for the future of the show, a cash cow. Seb keeps urging Jeff to move on, perhaps even start dating new women.
To that end, he offers Jeff a peek at Mr. Pickles’ tawdriest fan mail: “Dear Mr. Pickles: What a rare, sublime kindness you bestow upon the world. Attached, please find a photograph of my clitoris ...”
Seb confides to the show’s chief puppet-maker, Deirdre (Catherine Keener), that he is already exploring ways to retire Jeff by turning Mr. Pickles into a cartoon character voiced by an impressionist.
It’s easy to detect in the writing and structure a steady twinge of the surreal, which matches Gondry’s peculiar yet effective tone.
Kidding lets us figure out that Seb is Jeff ’s father and Deirdre is his sister — making the Mr. Pickles show a family endeavour, going back years and hinting at past dysfunctions. There is a deep river of sadness that flows through Kidding, even as it puts Carrey’s comedic skills to their best use in a long time.
The Mr. Rogers’ association is a form of shorthand. We know how important a kids’ show host can be to the culture. When car thieves unwittingly make off with Mr. Pickles’ PT Cruiser and take it to the chop shop, they make a horrifying discovery in the trunk: Uku-Larry, a puppet who is halfukulele, known to all as Mr. Pickles’ dear friend and co-star. They immediately put the car back together and return it, with UkuLarry safe and sound, so high is their regard for Mr. Pickles.
That tracks right with the power Mister Rogers still has to inspire us to be better people. In real life, Fred Rogers was as good-natured about the Mister Rogers jokes as anyone else, and something tells me he’d find plenty to appreciate in Kidding, particularly in one regard: At its core, it offers a story to grown-ups about healing and forgiveness.