Canadian Living

SUMMER LOVING

Sun’s out, book’s open! From the best tech tales to portraits of love, loss and reinventio­n, here are our favourite hot new reads for those lazy, hazy days we adore.

- BY ALEXANDRA DONALDSON

Spend the dog days with these cool reads

AN INCONVENIE­NT TRUTH

The

Gypsy Moth Summer is about a black man named Jules, his white wife, Leslie, and their children, who move to an affluent entirely white neighbourh­ood on an island called Avalon. It’s also about teenager Maddie, who experience­s the excitement of young love as she considers her violent and unstable home life, and Veronica, a woman who finally has a little bit of freedom now that her controllin­g husband, the Colonel, has dementia. In the background is the understand­ing that the island’s main source of employment, an industrial military company, is poisoning the residents and that this particular summer, there’s an invasion of gypsy moths that are breeding at an alarming rate. Here, author Julia Fierro shares her experience writing a story about race, privilege and class while also reminiscin­g about her own gypsy moth childhood and the inescapabl­e ties of family history. How did you get the idea for this story? I grew up on Long Island, N.Y., in the ’90s, very much like Maddie did. It was really amazing, we had the woods to run around and play adventure games in, but it was also very isolating—it felt almost wild. I hoped to capture that atmosphere. Also, I had written a sketch featuring the Colonel almost two decades ago in college, and I wanted to come back to that character. Finally, I wanted to write about race and class and the intersecti­on of the two—it’s shocking how relevant the topics feel right now.

Why did you decide to weave the gypsy moth

invasion into the story? Gypsy moth invasions were part of my childhood, and it’s the weirdest atmospheri­c experience. It was a pestilence, a scientific occurrence, but, as kids growing up without the Internet, we had no idea what was going on. It was my own personal pest, so I wrote from experience.

Why did you tell the story from so many differ

ent points of view? There’s something comforting about characters who experience the same events but interpret them completely differentl­y. I think it must be a reflection of our own anxieties—that we’ll never be able to really understand how a person thinks and feels. It’s a privilege as a reader to have access to that. As a writer, there’s a great responsibi­lity to make every perspectiv­e as authentic as possible, and that structure makes it feel like everyone’s perspectiv­e is important.

I loved the thread of inheritanc­e— both physical and emotional—from our parents that many

characters go through in the book. Where we come from and our parents’ stories and struggles are inescapabl­e—as much as we want to believe we can transcend them to rewrite our stories. It should be everyone’s responsibi­lity to educate themselves beyond their own very narrow, privileged perspectiv­e. And one way you can do that is through reading.

 ??  ?? The Gypsy Moth Summer (St. Martin’s Press) by Julia Fierro, $38.
The Gypsy Moth Summer (St. Martin’s Press) by Julia Fierro, $38.
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